Untitled (No Comment)2020 · Three-channel video installation, color, with sound; 9 min. 25 sec.Dimension variableArt Institute of Chicago
Untitled from Art Against Immigration Ban Letter Portfolio2017 · One from a portfolio of nine digital printscomposition: 10 9/16 × 8 1/16" (26.8 × 20.4 cm); sheet: 11 × 8 1/2" (27.9 × 21.6 cm)Museum of Modern Art
WattsOSWWWe Will No Longer Be Seen and Not Heard1992 · Lithograph on aluminum foil collésheet: 20 x 13 in. (50.8 x 33 cm)The Metropolitan Museum of Art
WattsOSMPMy Pretty Pony1989 · Artist's book (trade)20 × 11 7/8 in. (50.8 × 30.2 cm)The Metropolitan Museum of Art
WattsOSU(Untitled (Printed Matter Matters)1989 · Photolithograph, offset printed and engraved typographyplate 23 5/16 x 21 1/4" (59.2 x 54 cm)Museum of Modern Art
Have Me Feed Me Hug Me Love Me Need Me1988 · Lenticular photographEach panel: 44.2 × 36.1 cm (17 7/16 × 14 1/4 in.); Overall: 49.3 × 303.1 × 27.3 cm (19 7/16 × 119 3/8 × 10 3/4 in.)Art Institute of Chicago
Plate (folio 20) from My Pretty Pony1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clockpage (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)Museum of Modern Art
Double page plate (front endpaper and folio 1) from My Pretty Pony1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clockpage (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)Museum of Modern Art