ArtistsOdilon Redon
Odilon Redon

Odilon Redon

1840–1916
PaintingSurrealismImpressionismPost-Impressionism
Representation
None documented
78
Institutional Exhibitions
882
Works in Collection
1210
Assets Indexed
3
Authority-backed Facts
0
Publications Referenced
90%
Profile Completeness

Cultural Positioning

Movements
  • Surrealism
  • Impressionism
  • Post-Impressionism
  • Abstract Art
  • Cubism
Related Artists
No edges recorded
Influence Graph
No influence edges encoded yet.

Selected Institutional Exhibitions

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No image
Master Prints from the Collection
Museum of Modern Art, New York
1989
No image
Master Prints from the Collection
Museum of Modern Art, New York
1987–1988
No image
The Prints of Odilon Redon
Museum of Modern Art, New York
1986–1987
No image
Naked/Nude
Museum of Modern Art, New York
1986
No image
Selections from the Permanent Collection: Prints and Illustrated Books
Museum of Modern Art, New York
1984
About

Why this artist matters now

Although often described as a Symbolist painter, as his career and painting largely correlated with the 19th century movement, Odilon Redon considered himself an independent artist, and never truly associated with the movement. Born on April 20, 1840, in Bordeaux, France, Redon showed an early aptitude for art, earning an award for drawing at just 11 years old. His proclivity for art making was not, however, wholly supported by his father, who insisted that his son instead study architecture. It was not until Redon failed the entrance exam for architectural studies at the École des Beaux-Arts in Paris that he was able to turn his attention to formal artistic training.In the early years of Redon’s study and career, he was exposed to the works of numerous artists and writers who would ultimately exert great influence on the painter. The botanist Armand Clavaud introduced him to the writings of Charles Baudelaire and Stéphane Mallarmé (with whom he would become close friends), and he studied painting under Jean-Léon Gérôme, sculpture with Rodolphe Bresdin, and lithography under Henri Fantin-Latour. From these formative interactions, Redon developed a singular style that, although most

Source: Christies Artsy · Trust score: 100% · Updated 1mo ago

Graph relationships

Taste overlap and adjacency

Movement
Surrealism
Medium
Painting
Related Artists
12 in graph
Institutional

Museum Collections

Canonical record

Artworks (882)

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Record

Images

22 assets
Portret van Pierre Bonnard (1902)
Rijksmuseum
Le Noyé (1887)
Rijksmuseum
Springend paard op wolken (Pegasus?) (1903 - 1907)
Rijksmuseum
Door zwart haar omlijste kop met wijd opengespalkte ogen (1891)
Rijksmuseum
A Woman Clothed with the Sun (1899)
Cleveland Museum of Art
Quasimodo (c. 1875–80)
Cleveland Museum of Art
Fear (1866)
Cleveland Museum of Art
Melancholy (c. 1868)
Cleveland Museum of Art
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Institutional

Representation & Collections

In collection
Rijksmuseum
In collection
The Metropolitan Museum of Art
In collection
Museum of Modern Art
New York, US
In collection
Cleveland Museum of Art
In collection
Art Institute of Chicago
In collection
National Gallery of Art
In collection
Tate
Market

Auction sale history

Houses that have sold works by this artist at auction
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Exhibitions and timeline

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