Database / Artworks
Artworks
Twelve Months of Fruit: May
Henry Fletcher
engraving, hand-colored · 1732
Cleveland Museum of Art
Twelve Months of Fruit: February
Henry Fletcher
engraving, hand-colored · 1732
Cleveland Museum of Art
Twelve Months of Fruit: August
Henry Fletcher
engraving, hand-colored · 1732
Cleveland Museum of Art
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Arthur Pond
Engraving, etching, woodcut · 1732
The Metropolitan Museum of Art
Harem Scene
Francesco Guardi, Italian
Pen and brown and black ink, brush and gray wash, red chalk with red chalk wash on buff laid paper · 1732
Art Institute of Chicago
Wolves Attacking Sheep ("Rien de Trop II")
Jean-Baptiste Oudry, French
Pen and brush and black ink, with brush and gray wash and black-and-white gouache, on blue laid paper · 1732
Art Institute of Chicago
Sheep in the Field ("Rien de trop I")
Jean-Baptiste Oudry, French
Pen and black ink, with brush and gray wash and black-and-white gouache, on blue laid paper · 1732
Art Institute of Chicago
Men Attacking Wolves ("Rien de Trop III")
Jean-Baptiste Oudry, French
Brush and black ink, with gray wash and black-and-white gouache, on blue laid paper · 1732
Art Institute of Chicago
Rest in the Country
William Wynne Ryland
Etching and engraving · 1732
The Metropolitan Museum of Art
View From a Bridge
William Wynne Ryland
Etching · 1732
The Metropolitan Museum of Art
Woman Carrying a Bucket
William Wynne Ryland
Etching and engraving · 1732
The Metropolitan Museum of Art
Oil or Vinegar Cruet
Meissen Porcelain Manufactory
Enameled and gilded hard-paste porcelain · 1732
Art Institute of Chicago
Sugar Caster with Cover (one of a pair)
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, and gilding · 1732
Art Institute of Chicago
Sugar Caster with Cover (one of a pair)
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, and gilding · 1732
Art Institute of Chicago
Plate one, from A Harlot's Progress
William Hogarth
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Plate two, from A Harlot's Progress
William Hogarth
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Plate two, from A Harlot's Progress
William Hogarth
Copperplate · 1732
Art Institute of Chicago
View of the Park in Saint-Cloud
Jean-Honoré Fragonard
Brush and brown ink and brown wash, over traces of graphite, on ivory laid paper, laid down on cream laid card · 1732
Art Institute of Chicago
St. WIlliam
Christian Wilhelm Ernst Dietrich
Etching on laid paper · 1732
Art Institute of Chicago
Plate four, from A Harlot's Progress
William Hogarth
Copperplate · 1732
Art Institute of Chicago
Plate six, from A Harlot's Progress
William Hogarth
Copperplate · 1732
Art Institute of Chicago
Plate three, from A Harlot's Progress
William Hogarth
Copperplate · 1732
Art Institute of Chicago
Plate five, from A Harlot's Progress
William Hogarth
Copperplate · 1732
Art Institute of Chicago
San Giorgio Maggiore
Giovanni Battista Brustolon
Etching and engraving on paper · 1732
Art Institute of Chicago