Plate one, from A Harlot's Progress

Plate one, from A Harlot's Progress

William HogarthWW-1732-132862
1732·Engraving in black on ivory laid paper·Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32 × 39.2 cm (12 5/8 × 15 7/16 in.); Sheet: 43.4 × 53.7 cm (17 1/8 × 21 3/16 in.)

<p>One of Hogarth’s four major print cycles of “modern moral subjects” based on his paintings, <em>A Harlot’s Progress</em> is a tale of innocence led astray. As indicated by its title, which subverts that of John Bunyan’s popular Christian allegory, the 1678 <em>Pilgrim’s Progress</em>, Hogarth’s project traces a country girl’s loss of purity and resulting imprisonment, illness, and death. Here the gullible girl, Moll Hackabout, is seduced by the promises of a historical madam, Mother Needham, who is dressed respectably to lure naïve London newcomers into her fashionable brothel.</p>

Catalogue

Year
1732
Dimensions
Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32 × 39.2 cm (12 5/8 × 15 7/16 in.); Sheet: 43.4 × 53.7 cm (17 1/8 × 21 3/16 in.)

Artist

William Hogarth
William Hogarth

Painting

William Hogarth was an English painter, engraver, satirist, cartoonist and writer. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".

London, UK

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Record

Verified by WattsOS
Year
1732
Dimensions
Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32 × 39.2 cm (12 5/8 × 15 7/16 in.); Sheet: 43.4 × 53.7 cm (17 1/8 × 21 3/16 in.)
Watts ID
WW-1732-132862

Source

Source
aic
Status
verified

Artist

William Hogarth

William Hogarth

Painting

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