Database / Artworks
Artworks
Design for a Banknote
Charles Percier, French
Black crayon, pen and ink, brush and bistre wash on light brown paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas
Jean-Auguste-Dominique Ingres
lithograph, four portraits printed on one sheet · 1815
National Gallery of Art
Wallpaper Design: Psyche Bringing to Venus a Glass from the Fountain of Youth
Merry-Joseph Blondel, French
Graphite, black, white chalk, brush and black ink on brown coated paper mounted to thin ply paperboard · 1815
Cooper Hewitt, Smithsonian Design Museum
Wallpaper Design: Reconciliation of Venus and Psyche
Merry-Joseph Blondel, French
Graphite, black, white chalk, brush and black ink on brown coated paper mounted to paperboard · 1815
Cooper Hewitt, Smithsonian Design Museum
Omezo Ichikawa in the role of Kajiwara Genta
Utagawa Toyokuni, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1815
Cooper Hewitt, Smithsonian Design Museum
Gazebo
Giuseppe Bernardino Bison, Italian
Pen and black ink, brush and pink, red, organge and green watercolor, black chalk on paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Landscape (The Lock)
John Constable
Oil on canvas · 1815
Art Institute of Chicago
Italian Scene
Léopold Robert
oil on fabric · 1815
Cleveland Museum of Art
Plaisir de l'été (Pleasure of Summer) (Furnishing Fabric)
Philippe Wyngaert
Cotton, plain weave; copperplate printed · 1815
Art Institute of Chicago
Panel (Furnishing Fabric)
Philippe Wyngaert
Cotton, plain weave; probably engraved roller printed · 1815
Art Institute of Chicago
Rachel Fanny Antonina Le Despencer
John Bacon
Marble · 1815
The Metropolitan Museum of Art
Landscape (The Lock)
John Constable
Oil on canvas · 1815
Art Institute of Chicago
Empress Komyo (Komyoko), from the series "Three Beautiful Women (San bijin)"
Ryuryukyo Shinsai
Color woodblock print; shikishiban, surimono · 1815
Art Institute of Chicago
The Woodcutters' Repast
John Linnell
Black and white chalks on blue wove paper · 1815
Art Institute of Chicago
Fighting Horses
Théodore Géricault
watercolor over graphite · 1815
Cleveland Museum of Art
Rachel Fanny Antonina Le Despencer
John Bacon the Younger
Marble · 1815
The Metropolitan Museum of Art
Slag bij Waterloo, ter ere van Napoleon I Bonaparte, keizer der Fransen
Emile Rogat
striking (metalworking) on silver (metal) · 1815
Rijksmuseum
A View in San Lorenzo Fuori le Mura, Rome
Gustav Friedrich Hetsch
Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay · 1815
Art Institute of Chicago
Monsieur Tortoni
François Gérard
Oil on canvas · 1815
Art Institute of Chicago
Portrait of the Duchesse de Berry
François Gérard
Lithograph in black on ivory laid paper · 1815
Art Institute of Chicago
Napoleon Accompanied by his Good Men, Returning to France on March 1, 1815
François Gérard
Lithograph in black, with a second tint stone in gray, on ivory wove paper · 1815
Art Institute of Chicago
Portrait of Sydney Owenson, Lady Morgan
Thomas Hargreaves
Watercolor on ivory · 1815
Art Institute of Chicago
Napoleons leger trekt weer ten strijde, 1815
Johann Michael Voltz
etching on paper · 1815
Rijksmuseum
Se. Kaiserliche Majestät, Napoleon der Grosse, gerühen den Feldzug zu eröffnen und machen Höchstihre Dispositionen zur Schlacht von la Belle Alliance d. 18 Iuny 1815
Johann Michael Voltz
engraving on paper · 1815
Rijksmuseum