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Artworks

40 records by Jules Pascin
Salome Dancing before King Herod
Salome Dancing before King Herod
Jules Pascin
Color etching on ivory wove paper · 1930
Art Institute of Chicago
Beauty Parlor--"Verschonerung"
Beauty Parlor--"Verschonerung"
Jules Pascin
hand-colored etching on paper · 1930
Smithsonian American Art Museum
Cinderella's Coach
Cinderella's Coach
Jules Pascin
Soft ground etching and aquatint printed in yellow, blue, orange, gray, and black on ivory wove paper · 1929
Art Institute of Chicago
The Prince with the Slipper, from Cinderella
The Prince with the Slipper, from Cinderella
Jules Pascin
Color etching and aquatint in yellow, blue, brown, and black on ivory wove paper · 1929
Art Institute of Chicago
The Sisters Dressing for the Ball, from Cinderella
The Sisters Dressing for the Ball, from Cinderella
Jules Pascin
Etching printed in color, on ivory wove paper · 1929
Art Institute of Chicago
Palace Ball
Palace Ball
Jules Pascin
Soft ground color etching and aquatint on ivory wove paper · 1929
Art Institute of Chicago
Portait of Professor Adolf Elwyn
Portait of Professor Adolf Elwyn
Jules Pascin
Carbon transferred with stylus on ivory laid paper · 1928
Art Institute of Chicago
George Biddle and Jane Belo
George Biddle and Jane Belo
Jules Pascin
Lithographic crayon on paper · 1927
Museum of Modern Art
Seated Nude
Seated Nude
Jules Pascin
Pen and black ink, with charcoal, watercolor, and pastel, with touches of crayon on cream wove paper · 1926
Art Institute of Chicago
The Prodigal Son Among Courtesans
The Prodigal Son Among Courtesans
Jules Pascin
Drypoint in black on ivory wove paper · 1926
Art Institute of Chicago
The Prodigal Son
The Prodigal Son
Jules Pascin
Etching and drypoint on tan wove paper · 1926
Art Institute of Chicago
Orgy
Orgy
Jules Pascin
Etching in black on cream wove paper · 1926
Art Institute of Chicago
The Rising
The Rising
Jules Pascin
Lithograph in black on buff China paper · 1925
Art Institute of Chicago
Street Scene with Orator
Street Scene with Orator
Jules Pascin
Color etching in brown, black, and red on cream wove paper · 1925
Art Institute of Chicago
Reclining Model
Reclining Model
Jules Pascin
Oil on canvas · 1925
Museum of Modern Art
Standing Figure in Chemise
Standing Figure in Chemise
Jules Pascin
Pastel, with stumping on gray wove paper, discolored to tan, laid down on wood pulp board · 1924
Art Institute of Chicago
Four Ladies
Four Ladies
Jules Pascin
Drypoint in black on cream wove paper · 1924
Art Institute of Chicago
Arising (Le Lever) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.
Arising (Le Lever) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.
Jules Pascin
Lithograph from a portfolio of 16 lithographs · 1924
Museum of Modern Art
Woman Writing at a Table
Woman Writing at a Table
Jules Pascin
Carbon transferred with stylus on ivory laid paper · 1923
Art Institute of Chicago
Judith and Holofernes
Judith and Holofernes
Jules Pascin
Drypoint in black on white wove paper · 1922
Art Institute of Chicago
Socrates and His Disciples Mocked by Courtesans
Socrates and His Disciples Mocked by Courtesans
Jules Pascin
Oil, gouache, and crayon on paper on canvas · 1921
Museum of Modern Art
Brothel Scene
Brothel Scene
Jules Pascin
Pen and black ink and brush and black ink on cream laid paper (two pieces; repaired at upper right) · 1920
Art Institute of Chicago
Untitled (Invitation to Party at Jules Pascin's)
Untitled (Invitation to Party at Jules Pascin's)
Jules Pascin
relief-printed etching · 1918
National Gallery of Art
Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière
Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière
Jules Pascin
Etching and drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint · 1918
Museum of Modern Art
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