Database / Artworks
Artworks
Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant
Francesco Solimena
Oil on canvas · 1731
The Metropolitan Museum of Art
Seated Allegorical Female Figure
Francesco Solimena
Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper · 1700
Art Institute of Chicago
Adam and Eve in Paradise
Francesco Solimena
Oil on canvas · 1695
Art Institute of Chicago
Portrait of a Girl
Francesco Solimena
Oil on canvas · 1695
Art Institute of Chicago
Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples
Francesco Solimena
Pen and brown ink, gray, green, and rose washes over graphite · 1690
The Metropolitan Museum of Art
Jacopo Butera
Francesco Solimena
Oil on canvas · 1690
Art Institute of Chicago
Ruler Receiving Lady
Francesco Solimena
Pen and brown ink, over black chalk, on cream laid paper, laid down on cream laid paper · 1677
Art Institute of Chicago
Juno and Aeolus
Francesco Solimena
Pen and brown ink, and brush and brown wash, with traces of black chalk, on cream laid paper laid, down on cream laid paper · 1677
Art Institute of Chicago
Spandrel Decoration with Seated Allegorical Figures of Hope and Concord
Francesco Solimena
Pen and brown ink with brush and brown and gray wash, over traces of black chalk, squared in black chalk on ivory laid paper · 1677
Art Institute of Chicago
Christ Healing the Lame Man
Francesco Solimena
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Holy Family with Saints
Francesco Solimena
Pen and black ink, with brush and brown wash, and black chalk, on ivory laid paper, tipped on brownish-tan wove paper · 1677
Art Institute of Chicago
Pope Blessing Nun
Francesco Solimena
Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Profile of Male Head, Crowned with Laurel Leaves
Francesco Solimena
Red chalk heightened with touches of white chalk, on tan laid paper, laid down on cream laid paper · 1677
Art Institute of Chicago
Conversion of Saint Paul
Francesco Solimena
Pen and brown ink, with brush and brown and gray wash, over traces of black chalk, on cream laid paper · 1677
Art Institute of Chicago
Zittende vrouwenfiguur
Francesco Solimena
chalk, paper · 1667
Rijksmuseum
Fragment van een krijtschets
Francesco Solimena
chalk, paper · 1667
Rijksmuseum
A Seated Nude Man Pointing to the Right
Francesco Solimena
black chalk on laid paper · 1657
National Gallery of Art
The Marriage of Bacchus and Ariadne
Francesco Solimena
black chalk on laid paper · 1657
National Gallery of Art
A Nude Man Chained to a Rock
Francesco Solimena
black chalk on laid paper · 1657
National Gallery of Art
The Triumph of the Trinity (The Gloria)
Francesco Solimena
black chalk on laid paper · 1657
National Gallery of Art
Title Page with Portrait of Viceroy of Naples
Francesco Solimena
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over red and black chalk, on tan laid paper, laid down on tan wove paper · 1600
Art Institute of Chicago
Massacre of the Innocents
Francesco Solimena
Pen and brown ink, over black chalk, on ivory laid paper, tipped onto ivory laid paper and green card · 1600
Art Institute of Chicago