Grinding Maize (San José Tepepa, State of Morelos), from Mexican People

Grinding Maize (San José Tepepa, State of Morelos), from Mexican People

Leopoldo MéndezWW-1946-043477
1946·Lithograph in black on cream wove paper·Image: 35.2 × 28.7 cm (13 7/8 × 11 5/16 in.); Sheet: 44.8 × 38.5 cm (17 11/16 × 15 3/16 in.)

<p>Intended for a U.S. audience, the group portfolio <a href="https://www.artic.edu/artworks/139299"><em>Mexican People</em></a> was originally commissioned by the Council for Pan-American Democracy in New York to promote Mexican products for export to the United States. Ultimately published by American Associated Artists (AAA) of New York—the Taller de Gráfica Popular’s first such collaboration with a U.S. organization—the 12 lithographs were accompanied by a map indicating the resources and industries of the various regions that each of the 10 artists had visited, funded by the AAA, in order to prepare his print. Although varied in tone and artistic approach, the prints tend to focus on labor and distinctive regional customs rather than on the portrayal of individuals, and some bear traces of the project’s original conception in their semi-ethnographic feel.</p> <p><strong>Español:</strong><br>Dirigido a un público estadounidense, el portafolio colectivo <a href="https://www.artic.edu/artworks/139299"><em>Mexican People</em></a> fue encargado por el Consejo para la Democracia Panamericana en Nueva York para promover la exportación de productos mexicanos a los Estados Unidos. Al final fue publicado por la Asociación de Artistas Americanos de Nueva York y representa la primera colaboración de este tipo entre el Taller de Gráfica Popular y una organización estadounidense. Las 12 litografías que lo componen iban acompañadas de un mapa que indicaba los recursos y las industrias de las diferentes regiones que los diez artistas habían visitado, con el financiamiento de la asociación, para preparar sus grabados. Aunque diferentes en tono y estilo artístico, los grabados tienden a centrarse en la representación del trabajo y en las distintas costumbres regionales más que en el retrato de individuos; algunos incluso conservaron rastros de la concepción semietnográfica original del proyecto.</p>

Catalogue

Year
1946
Dimensions
Image: 35.2 × 28.7 cm (13 7/8 × 11 5/16 in.); Sheet: 44.8 × 38.5 cm (17 11/16 × 15 3/16 in.)

Artist

Leopoldo Méndez
Leopoldo Méndez

Printmaking

Leopoldo Méndez was a Mexican printmaker whose lithographs and woodcuts became foundational to twentieth-century Latin American social realism. Working from the 1920s onward, he deployed bold graphic forms and stark tonal contrasts to chronicle labor struggles, indigenous life, and anti-imperialist resistance. His prints circulated among working-class and activist networks across Mexico and beyond, establishing printmaking as a vehicle for direct political intervention rather than institutional mediation. The formal clarity of his compositions, combined with their urgent social content, shaped successive generations of socially engaged artists in the Americas.

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1953 · Linocut in black on cream wove paper

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Torches, from Río Escondido

Torches, from Río Escondido

1948 · Linocut in black on cream wove paper

WW-1948-043615
Torches from the portfolio Rio Escondido (Hidden River)

Torches from the portfolio Rio Escondido (Hidden River)

1948 · Wood engraving

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Little Schoolteacher, How Immense is Thy Will, from Río Escondido

Little Schoolteacher, How Immense is Thy Will, from Río Escondido

1948 · Linocut in black on cream wove paper

WW-1948-043624
I Thirst, from Río Escondido

I Thirst, from Río Escondido

1948 · Linocut in black on cream wove paper

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Record

Verified by WattsOS
Year
1946
Dimensions
Image: 35.2 × 28.7 cm (13 7/8 × 11 5/16 in.); Sheet: 44.8 × 38.5 cm (17 11/16 × 15 3/16 in.)
Watts ID
WW-1946-043477

Source

Source
aic
Status
verified

Artist

Leopoldo Méndez

Leopoldo Méndez

Printmaking

View artist profile →