Sea Movement–Green and Blue
<p>Mark Island, Maine, notable for its lighthouse, signals the passage from Penobscot Bay to Stonington Harbor. For this watercolor, Marin started his sketch of the island in graphite rather than charcoal, allowing for greater precision. Yet he playfully set it against the mountainous profile of Mount Desert, a view that could not in reality have been seen from the same vantage point. Marin employed a particularly expressionistic handling of watercolor here: contours are jagged and black, and the paint is heavily manipulated. An electric blue sky, animated by circular wiping, is energized by the single line of yellow marking the contour of the island. The artist’s passionate orchestration of movement, color, and mood map the fluctuation of a turbulent sea, while the reflective silver frame and mount contribute to the sense of dynamism and excitement.</p>
Catalogue
- Year
- 1923
- Dimensions
- 42.9 × 52.1 cm (16 15/16 × 20 9/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- John Marin
Artist
Painting
John Marin was an American modernist painter and printmaker known for his dynamic watercolors and etchings of coastal landscapes, particularly Maine. Working primarily in watercolor from the 1910s onward, he developed a fractured, energetic visual language that synthesized Cubist fragmentation with direct observation of nature. His gestural brushwork and bold use of paper's white ground anticipated Abstract Expressionism while maintaining a strong sense of place and atmospheric condition. Marin spent decades based in Maine, where the rocky coastlines and maritime environment became the primary subject of his mature work.
Full artist profile →More
More by John Marin
Approaching Fog
1952 · Watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed)
Movement: Boats and Objects, Blue Gray Sea
1947 · Oil on canvas
Brooklyn Bridge - on the Bridge, No. 2
1944 · Etching
Cape Split, Maine
1941 · Watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame
Circus Elephants
1941 · Watercolor with scraping and wiping, and with opaque watercolor, graphite and black crayon, on medium-weight, slightly textured, cream laid paper
Movement: Sky and Grey Sea
1941 · Watercolor, charcoal, and pencil on paper
Record
Verified by WattsOS- Artist
- John Marin
- Year
- 1923
- Dimensions
- 42.9 × 52.1 cm (16 15/16 × 20 9/16 in.)
- Watts ID
- WW-1923-131279
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified