Database / Artworks
Artworks
Approaching Fog
John Marin
Watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed) · 1952
Art Institute of Chicago
Movement: Boats and Objects, Blue Gray Sea
John Marin
Oil on canvas · 1947
Art Institute of Chicago
Brooklyn Bridge - on the Bridge, No. 2
John Marin
Etching · 1944
Museum of Modern Art
Cape Split, Maine
John Marin
Watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame · 1941
Art Institute of Chicago
Circus Elephants
John Marin
Watercolor with scraping and wiping, and with opaque watercolor, graphite and black crayon, on medium-weight, slightly textured, cream laid paper · 1941
Art Institute of Chicago
Movement: Sky and Grey Sea
John Marin
Watercolor, charcoal, and pencil on paper · 1941
Museum of Modern Art
The Bridge, New York
John Marin
Black, orange and yellow crayon on lightweight, smooth, grayish-ivory wove paper, laid down on off-white wove card · 1940
Art Institute of Chicago
Nudes in Sea
John Marin
Watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame · 1940
Art Institute of Chicago
Self-Portrait
John Marin
Graphite on mylar · 1939
Art Institute of Chicago
Sea, Green and Brown, Maine
John Marin
Watercolor with wiping and scraping, and with opaque watercolor, over graphite, on medium-weight (estimated), moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp board faced with ivory wove (estimated) paper, gilt with silver leaf, and backed with dark red wove paper, in original frame · 1937
Art Institute of Chicago
Circus Horses
John Marin
Graphite and colored pencil, with incising, on mylar · 1936
Art Institute of Chicago
Nudes in the Forest
John Marin
Watercolor and graphite on tan wove paper · 1935
Art Institute of Chicago
Sailboat
John Marin
Etching with plate tone on white wove paper · 1932
Art Institute of Chicago
Lower Manhattan from the Bridge
John Marin
Etching · 1931
Museum of Modern Art
Approach to the Bridge
John Marin
Etching · 1931
Museum of Modern Art
Buoy, Maine
John Marin
Watercolor on paper · 1931
Museum of Modern Art
Valley of the Hondo, New Mexico
John Marin
Watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame · 1930
Art Institute of Chicago
Mountain Forms, New Mexico
John Marin
Watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame · 1930
Art Institute of Chicago
St. Paul's Against the El
John Marin
Etching · 1930
Museum of Modern Art
Skyscrapers in Construction, No. 1
John Marin
Etching · 1930
Museum of Modern Art
West Forty-Second Street from Ferryboat
John Marin
Watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame · 1929
Art Institute of Chicago
On Morse Mountain, No. 6, Maine
John Marin
Watercolor and black crayon and reductive work with the end of paint brush on thick, moderately rough-textured wove paper · 1928
Cleveland Museum of Art
Deer Isle, Maine, probably Movement No. 12—Boats and Pertaining Thereto
John Marin
Watercolor with black pencil on moderately thick, moderately textured, off-white wove paper (top and right edges trimmed) · 1927
Art Institute of Chicago
Movement No 24–Pertaining to Deer Isle–The Road
John Marin
Watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame · 1927
Art Institute of Chicago