Artworks · William T. Wiley

65 artworks · page 1 of 2

📷 With images only (41)

Yes But Is it Torture?

2009 · Etching in black and watercolor on white wove paper

61 × 56.5 cm (24 1/16 × 22 1/4 in.)

Art Institute of Chicago

Apalled & Revered

2002 · Watercolor, colored pencil, felt-tip pen, gouache, and pencil on paper

20 x 14 1/4" (50.8 x 36.2 cm)

Museum of Modern Art

Hommage to Allan Ginsburg

1998 · Lithograph on tan Japanese paper, laid down on white wove paper (chine collé)

Primary support: 76.2 × 72.3 cm (30 × 28 1/2 in.); Secondary support: 76.8 × 72.3 cm (30 1/4 × 28 1/2 in.)

Art Institute of Chicago

Study for Deneb

1996 · lithographic crayon and watercolor over graphite

Sheet: 76.2 x 56.7 cm (30 x 22 5/16 in.); Image: 63.7 x 43 cm (25 1/16 x 16 15/16 in.)

Cleveland Museum of Art

Deneb

1996 · color separation proof in red and yellow

Cleveland Museum of Art

"Who Is Not a Hostage?" Scatter pins

1987 · Sterling silver

1991.285.3a (masked head pin): 3 1/4 × 1 1/2 × 3/16 in. (8.3 × 3.8 × 0.5 cm, 18.144g) 1991.285.3b (gun pin): 1 5/8 × 1 × 3/16 in. (4.1 × 2.5 × 0.5 cm, 9.072g)

The Metropolitan Museum of Art

Rhoom for Error

1983 · Soft ground etching and monotype on white wove paper

Plate: 52.7 × 73 cm (20 3/4 × 28 3/4 in.); Sheet: 66.7 × 93.5 cm (26 5/16 × 36 13/16 in.)

Art Institute of Chicago

Three Mile Island/Three Years Later

1983 · Color lithograph in four colors on white wove paper

96.5 × 68.6 cm (38 × 27 1/16 in.)

Art Institute of Chicago

Now Here's That Blame Treaty

1983 · Etching, aquatint and drypoint

plate 44 13/16 x 35 7/8" (113.8 x 91.1 cm)

Museum of Modern Art

Studio Light

1981 · etching

Cleveland Museum of Art

Mr. Unpopular

1980 · Color lithograph on white wove paper

Image, max: 90.5 × 70 cm (35 11/16 × 27 9/16 in.); Sheet: 96.5 × 71.1 cm (38 × 28 in.)

Art Institute of Chicago

Spooky on the Line, from N.A.M.E portfolio

1979 · Lithograph on white wove paper

76 × 56 cm (29 15/16 × 22 1/16 in.)

Art Institute of Chicago

Three Mile Island

1979 · Color lithograph in three colors on tan laid paper laid down on white wove paper

96.5 × 66 cm (38 × 26 in.)

Art Institute of Chicago

Thank-You Palette for New York

1978 · Watercolor, pencil, and colored chalk on paper

30 3/8 x 22 3/4" (77.1 x 57.6 cm)

Museum of Modern Art

Green Shoes

1977 · Color soft ground etching and aquatint on cream wove paper

Plate: 54.5 × 60.4 cm (21 1/2 × 23 13/16 in.); Sheet: 55.8 × 76 cm (22 × 29 15/16 in.)

Art Institute of Chicago

A Suite of Daze

1977 · Illustrated book with eleven etchings and four aquatints

page 16 5/16 x 12 9/16" (41 x 32 cm)

Museum of Modern Art

Mr. Unnatural

1976 · Color lithograph on white wove paper

92 × 63.6 cm (36 1/4 × 25 1/16 in.)

Art Institute of Chicago

Mr. Unatural

1976 · Lithograph

Museum of Modern Art

Self-Portrait in New York

1976 · Crayon, charcoal, felt-tip pen, ink, and pencil on paper

26 1/2 x 23 3/8" (67.3 x 59.1 cm)

Museum of Modern Art

Scarecrow

1975 · etching and aquatint

Cleveland Museum of Art

Seasonall Gate

1975 · Etching and color lithograph on ivory wove paper

Image/plate: 60.2 × 45.1 cm (23 3/4 × 17 13/16 in.); Sheet: 71.9 × 57.1 cm (28 5/16 × 22 1/2 in.)

Art Institute of Chicago

C. D. Self-Portrait

1975 · Drypoint on white wove paper (Uriuchi)

Plate: 26.2 × 26.3 cm (10 3/8 × 10 3/8 in.); Sheet: 56.6 × 51.7 cm (22 5/16 × 20 3/8 in.)

Art Institute of Chicago

Hope You Learned Your Lesson

1975 · Color etching, aquatint, and sugar lift, with burnishing, on white wove paper

Plate: 26.5 × 32.2 cm (10 7/16 × 12 11/16 in.); Sheet: 71.7 × 56.5 cm (28 1/4 × 22 1/4 in.)

Art Institute of Chicago

Farmers and All Men Act

1975 · Colored pencil and crayon, with gouache, over traces of graphite, on tan wove paper

91.8 × 71 cm (36 3/16 × 28 in.)

Art Institute of Chicago

Ecnud

1975 · Lithograph

Museum of Modern Art

Untitled (Mr. Nobody)

1975 · Lithograph

irreg composition 37 7/8 x 29 7/16" (96.2 x 74.8 cm)

Museum of Modern Art

Unnumbered plate (folio 8) from A SUITE OF DAZE

1975 · Lift ground aquatint, printed in black

irreg. composition 10 x 6 5/16" (25.4 x 16 cm)

Museum of Modern Art

RIM RAT, plate 1 (folio 3) from A SUITE OF DAZE

1975 · Lift ground aquatint and soft ground etching, printed in black

plate 4 1/4 x 3 1/16" (10.8 x 7.8 cm)

Museum of Modern Art

SPRING SPITS, plate 9 (folio 19) from A SUITE OF DAZE

1975 · Soft ground etching and aquatint with roulette, printed in black

plate 13 7/8 x 9 15/16" (35.3 x 25.2 cm)

Museum of Modern Art

CHIN/PROGRESS, plate 10 (folio 21) from A SUITE OF DAZE

1975 · Soft ground etching, printed in black

plate 9 15/16 x 9 15/16" (25.2 x 25.3 cm)

Museum of Modern Art

HANGING UP THE FRAME, plate 11 (folio 23) from A SUITE OF DAZE

1975 · Soft ground etching, printed in black

plate 13 3/4 x 9 15/16" (35 x 25.2 cm)

Museum of Modern Art

C.D.O.D., plate 12 (folio 24) from A SUITE OF DAZE

1975 · Soft ground etching with roulette, printed in black

plate 10 3/8 x 10 7/16" (26.3 x 26.5 cm)

Museum of Modern Art

THE GLITTERING REMAINS, plate 13 (folio 25) from A SUITE OF DAZE

1975 · Soft ground etching and lift ground aquatint with roulette, printed in black

plate 13 7/8 x 9 15/16" (35.2 x 25.2 cm)

Museum of Modern Art

MODURN ARMS, plate 2 (folio 4) from A SUITE OF DAZE

1975 · Soft ground etching and lift ground aquatint, printed in color

plate 9 15/16 x 9 7/8" (25.3 x 25.1 cm)

Museum of Modern Art

BEGINNING PASSES, plate 3 (folio 6) from A SUITE OF DAZE

1975 · Etching and aquatint with roulette, printed in black

plate 13 7/8 x 9 15/16" (35.3 x 25.3 cm)

Museum of Modern Art

CHIN/WELL, plate 4 (folio 9) from A SUITE OF DAZE

1975 · Etching and soft ground etching, printed in black

plate 9 15/16 x 9 15/16" (25.2 x 25.2 cm)

Museum of Modern Art

DOWN THE LINE WITH OL' SIR ROT, plate 5 (folio 11) from A SUITE OF DAZE

1975 · Etching with roulette, printed in black

plate 9 15/16 x 13 7/8" (25.3 x 35.2 cm)

Museum of Modern Art

CHIN/INNOCENCE, plate 6 (folio 13) from A SUITE OF DAZE

1975 · Lift ground aquatint, printed in black

plate 9 15/16 x 9 15/16" (25.2 x 25.3 cm)

Museum of Modern Art

LAST COW CAVES, plate 7 (folio 15) from A SUITE OF DAZE

1975 · Soft ground etching, aquatint, and lift ground aquatint with roulette, printed in black

plate 9 15/16 x 13 7/8" (25.3 x 35.2 cm)

Museum of Modern Art

CHIN/OBSTRUCTION, plate 8 (folio 17) from A SUITE OF DAZE

1975 · Aquatint and lift ground aquatint, printed in black

plate 9 7/8 x 9 15/16" (25.1 x 25.2 cm)

Museum of Modern Art

Little Hide

1973 · Lithograph printed on chamois with additions of acrylic paint on paper

55.5 × 71 cm (21 7/8 × 28 in.)

Art Institute of Chicago

Banjo for G.D.

1973 · Pencil and colored pencil on paper

15 × 10 3/4" (38.1 × 27.3 cm)

Museum of Modern Art

Victory Guardians

1973 · Watercolor, felt-tip pen, ink, and pencil on paper

22 3/8 x 30" (56.9 x 76.1 cm)

Museum of Modern Art

Capitol Losses and Gains

1972 · Watercolor and black fiber-tipped pen on white wove paper

25.4 × 35.5 cm (10 × 14 in.)

Art Institute of Chicago

Checking It All Out

1972 · Lithograph on white wove paper

55.5 × 76.4 cm (21 7/8 × 30 1/8 in.)

Art Institute of Chicago

Feel Stoned

1972 · Lithograph on white wove paper

Image: 50.1 × 70.3 cm (19 3/4 × 27 11/16 in.); Sheet: 55.5 × 76.4 cm (21 7/8 × 30 1/8 in.)

Art Institute of Chicago

Field Stone

1972 · Lithograph on white wove paper

Image: 50.1 × 70 cm (19 3/4 × 27 9/16 in.); Sheet: 55.5 × 76 cm (21 7/8 × 29 15/16 in.)

Art Institute of Chicago

Feels Tone

1972 · Lithograph on white wove paper

Image: 50.1 × 69.8 cm (19 3/4 × 27 1/2 in.); Sheet: 55.5 × 76.4 cm (21 7/8 × 30 1/8 in.)

Art Institute of Chicago

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