Artworks · William T. Wiley

Coast Reverse

1972 · Color lthograph in two colors on white wove paper

Image: 77.5 × 110 cm (30 9/16 × 43 5/16 in.); Sheet: 83.7 × 116.5 cm (33 × 45 7/8 in.)

Art Institute of Chicago

Moon Mullings

1972 · Color lithograph on white wove paper

Image: 70.5 × 50.3 cm (27 13/16 × 19 13/16 in.); Sheet: 77.3 × 56 cm (30 7/16 × 22 1/16 in.)

Art Institute of Chicago

Wash Doubt

1972 · Color lithograph on white wove paper

Image: 51.5 × 70 cm (20 5/16 × 27 9/16 in.); Sheet: 56 × 75 cm (22 1/16 × 29 9/16 in.)

Art Institute of Chicago

Thank Yute Rubble

1972 · Lithograph in yellow and black on white wove paper

Image: 45.8 × 65 cm (18 1/16 × 25 5/8 in.); Sheet: 57 × 76.3 cm (22 1/2 × 30 1/16 in.)

Art Institute of Chicago

Thank You Hide

1972 · Color lithograph in five colors on white wove paper

Image: 78.7 × 114.3 cm (31 × 45 in.); Sheet: 88.9 × 121.9 cm (35 × 48 in.)

Art Institute of Chicago

Coast Reverse

1972 · Lithograph on chamois with gouache and ball-point pen additions on chamois

Max: 69 × 80 cm (27 3/16 × 31 1/2 in.)

Art Institute of Chicago

Little Hide

1972 · Lithograph with acrylic additions on chamois hide

Museum of Modern Art

Tales from the Dirty Rat and Other Tails

1971 · Pen and black ink on paper

43.2 × 35.6 cm (17 1/16 × 14 1/16 in.)

Art Institute of Chicago

The Dirty Rat

1971 · Acrylic on canvas

289.6 × 320 cm (114 × 126 in.)

Art Institute of Chicago

The Full Moon Crawled Through the Trees

1971 · Watercolor and black, blue, and brown fiber-tipped pens on white wove paper

57 × 76.9 cm (22 1/2 × 30 5/16 in.)

Art Institute of Chicago

Peacock Gap

1970 · Watercolor and ink on paper

28 7/8 x 20 7/8" (73.5 x 53.3 cm)

Museum of Modern Art

Pale Calm Low and Attractive

1969 · Watercolor with black fiber-tipped pen, over graphite, on ivory wove paper

50.7 × 37.9 cm (20 × 14 15/16 in.)

Art Institute of Chicago

The Iron Passage

1968 · Watercolor with black fiber-tipped pen, over graphite, on ivory wove paper

50.7 × 37.9 cm (20 × 14 15/16 in.)

Art Institute of Chicago

Support for Flagstone Anti-Form and Plow-Boy

1968 · Watercolor and black fiber-tipped pen on cream wove paper

60.8 × 47.9 cm (23 15/16 × 18 7/8 in.)

Art Institute of Chicago

Pushing It Like He Said, But Not Like He Wanted

1967 · Watercolor and black fiber-tipped pen on ivory wove paper

60.7 × 45.6 cm (23 15/16 × 18 in.)

Art Institute of Chicago

Untitled

1960 · lithograph

Cleveland Museum of Art

Suite of Daze

1937 · Bound edition of etchings, soft ground and spit bite on tan wove paper, bound together.

Portfolio: 43.2 × 34 × 2.8 cm (17 1/16 × 13 7/16 × 1 1/8 in.); Sheet: 41.3 × 31.7 cm (16 5/16 × 12 1/2 in.)

Art Institute of Chicago