Artworks · Odilon Redon

And the Angel Took the Censer, plate 4 of 12

1899 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 31.3 × 24.8 cm (12 3/8 × 9 13/16 in.); Sheet: 45.1 × 34.9 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

A Woman Clothed With the Sun, plate 6 of 12

1899 · Lithograph in black on cream China paper laid down on ivory wove paper

Image: 28.8 × 23 cm (11 3/8 × 9 1/16 in.); Chine: 29.2 × 23.2 cm (11 1/2 × 9 3/16 in.); Sheet: 45.2 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12

1899 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 30 × 22.9 cm (11 13/16 × 9 1/16 in.); Sheet: 45.3 × 34.9 cm (17 7/8 × 13 3/4 in.)

Art Institute of Chicago

And I Saw in the Right Hand of Him that Sat on the Throne a Book Written Within and On the Backside, Sealed With Seven Seals, plate 2 of 12

1899 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image/chine: 32.4 × 24.2 cm (12 13/16 × 9 9/16 in.); Sheet: 45.3 × 34.9 cm (17 7/8 × 13 3/4 in.)

Art Institute of Chicago

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12

1899 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image/chine: 29.1 × 20.8 cm (11 1/2 × 8 1/4 in.); Sheet: 45.1 × 34.6 cm (17 13/16 × 13 5/8 in.)

Art Institute of Chicago

Cover-Frontispiece for the Apocalypse of St. John

1899 · Lithograph in black on cream Japanese paper

Image: 26 × 23.3 cm (10 1/4 × 9 3/16 in.); Sheet: 45 × 34.7 cm (17 3/4 × 13 11/16 in.)

Art Institute of Chicago

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12

1899 · Lithograph in black on cream China paper laid down on ivory wove paper

Image/chine: 28.8 × 20.9 cm (11 3/8 × 8 1/4 in.); Sheet: 45.4 × 34.7 cm (17 7/8 × 13 11/16 in.)

Art Institute of Chicago

Cover/frontispiece for l'Apocalypse de Saint-Jean

1899 · Bi-fold portfolio cover with lithographed text and image, in black on buff wove paper

62.8 × 44.5 cm (24 3/4 × 17 9/16 in.)

Art Institute of Chicago

And I John Saw These Things, and Heard Them (C'est moi, Jean, qui ai vu et qui ai ouï ces choses) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 11 1/2 × 9 1/8" (29.2 × 23.2 cm); sheet: 22 1/8 × 16 11/16" (56.2 × 42.4 cm)

Museum of Modern Art

And Bound Him a Thousand Years (Et le lia pour mille ans) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 11 3/4 x 8 1/4" (29.8 x 20.9 cm); sheet: 22 1/16 x 16 7/16" (56 x 41.8 cm)

Museum of Modern Art

And the Devil That Deceived Them Was Cast into the Lake of Fire and Brimstone, Where the Beast and the False Prophet Are (Et le diable qui les séduisait, fut jeté dans l'étang de feu et de soufre, où est la bête et le faux prophète) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 10 3/4 x 9 5/16" (27.3 x 23.7 cm); sheet: 22 3/16 x 16 3/4" (56.4 x 42.5 cm)

Museum of Modern Art

And I Saw in the Right Hand of Him That Sat on the Throne a Book Written Within and on the Backside, Sealed with Seven Seals (Puis je vis, dans la main droite de celui qui était assis sur le trône, un livre écrit dedans et dehors, scellé de sept sceaux) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 12 1/2 x 9 7/16" (31.7 x 24 cm); sheet: 22 3/16 x 16 3/4" (56.4 x 42.5 cm)

Museum of Modern Art

And Another Angel Came out of the Temple Which Is in Heaven, and He Also Having a Sharp Sickle (Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 12 3/16 x 8 3/8" (31 x 21.2 cm); sheet: 21 15/16 x 16 9/16" (55.8 x 42 cm)

Museum of Modern Art

And He Had in His Right Hand Seven Stars, and out of His Mouth Went a Sharp Two-Edged Sword (Et il avait dans sa main droit sept étoiles, et de sa bouche sortait une épée aiguë à deux tranchants) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 11 7/16 x 8 1/4" (29 x 20.9 cm); sheet: 22 1/4 x 16 5/8" (56.5 x 42.3 cm)

Museum of Modern Art

And His Name That Sat on Him Was Death (Et celui qui était monté dessus se nommait la Mort) from Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 12 1/16 x 8 13/16" (30.7 x 22.4 cm); sheet: 22 1/16 x 16 9/16" (56.1 x 42 cm)

Museum of Modern Art

And I Saw an Angel Coming down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand (Après cela je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaine en sa main) from) Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Lithograph with chine collé from a portfolio of 13 lithographs (12 with chine collé)

composition: 11 15/16 x 9 1/8" (30.3 x 23.2 cm); sheet: 22 1/16 x 16 5/8" (56 x 42.3 cm)

Museum of Modern Art

And He Had in His Right Hand Seven Stars, and out of His Mouth Went a Sharp Two-Edged Sword (Et il avait dans sa main droite sept étoiles, et de sa bouche sortait une épée aiguë à deux tranchants)

1899 · Lithograph on chine appliqué

composition: 11 7/16 x 8 1/4" (29.1 x 21 cm); sheet (irreg.): 16 1/16 x 13 5/16" (40.8 x 33.8 cm)

Museum of Modern Art

. . . And His Name That Sat on Him Was Death (. . . et celui qui était monté dessus se nommait la Mort)

1899 · Lithograph on chine appliqué

composition: 12 3/16 x 8 13/16" (30.9 x 22.4 cm); sheet: 18 7/16 x 13 7/16" (46.8 x 34.2 cm)

Museum of Modern Art

And Another Angel Came out of the Temple Which Is in Heaven, and He Also Having a Sharp Sickle (Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante)

1899 · Lithograph on chine appliqué

composition: 12 1/4 x 8 3/8" (31.1 x 21.2 cm); sheet (irreg.): 16 7/16 x 12 13/16" (41.7 x 32.6 cm)

Museum of Modern Art

Apocalypse of Saint John (Apocalypse de Saint-Jean)

1899 · Portfolio of 13 lithographs (including cover, 12 with chine collé)

composition (see child records): dimensions vary; sheet (each approx.): 22 1/16 × 16 9/16" (56 × 42 cm)

Museum of Modern Art

A Woman Clothed with the Sun (Une Femme revêtue du soleil)

1899 · Lithograph on chine appliqué

composition: 12 1/16 x 9 1/16" (30.6 x 23 cm); sheet: 19 13/16 x 16 5/16" (50.3 x 41.5 cm)

Museum of Modern Art

A Woman Clothed with the Sun

1899 · lithograph

Image: 23 x 28.6 cm (9 1/16 x 11 1/4 in.); Sheet: 56 x 42.4 cm (22 1/16 x 16 11/16 in.)

Cleveland Museum of Art

Ari

1898 · lithograph

National Gallery of Art

Sleep

1898 · Lithograph in black on light gray China paper laid down on ivory wove paper

Image: 12.5 × 12.5 cm (4 15/16 × 4 15/16 in.); Chine: 22.4 × 16.5 cm (8 7/8 × 6 1/2 in.); Sheet: 43.3 × 31.3 cm (17 1/16 × 12 3/8 in.)

Art Institute of Chicago

Sleep

1898 · Lithograph in black on cream Japanese paper

Image: 12.4 × 12.4 cm (4 15/16 × 4 15/16 in.); Sheet: 30.5 × 25.1 cm (12 1/16 × 9 15/16 in.)

Art Institute of Chicago

Arï

1898 · Lithograph in black on heavy cream wove paper

Image: 20 × 13 cm (7 7/8 × 5 1/8 in.); Sheet: 31.9 × 25.1 cm (12 9/16 × 9 15/16 in.)

Art Institute of Chicago

Man on Pegasus

1898 · Lithograph in black on cream wove paper laid down on white wove paper

Image: 14.8 × 9.4 cm (5 7/8 × 3 3/4 in.); Sheet: 17.5 × 12.3 cm (6 15/16 × 4 7/8 in.); Sheet, mount: 32.5 × 15.3 cm (12 13/16 × 6 1/16 in.)

Art Institute of Chicago

Arï

1898 · Lithograph in black on heavy cream wove paper

Image: 20 × 13 cm (7 7/8 × 5 1/8 in.); Sheet: 34.3 × 23.2 cm (13 9/16 × 9 3/16 in.)

Art Institute of Chicago

Arï

1898 · Lithograph in black on heavy cream wove paper

Image: 21.5 × 16.5 cm (8 1/2 × 6 1/2 in.); Sheet: 28.4 × 22.9 cm (11 3/16 × 9 1/16 in.)

Art Institute of Chicago

Arï

1898 · Lithograph

composition (irreg): 8 7/16 x 6 3/4" (21.5 x 17.1 cm); sheet: 12 3/4 x 9 13/16" (32.4 x 25 cm)

Museum of Modern Art

Woman in Profile to the Left, Wearing a Hennin Headdress (Femme de profil vers la gauche, coiffée d'un hennin)

1898 · Lithograph

composition (irreg.): 11 13/16 x 9 1/2" (30 x 24.2 cm); sheet (irreg): 16 1/16 x 12 15/16" (40.8 x 32.8 cm)

Museum of Modern Art

Woman Wearing a Toque and a Mermaid's Tail (Femme coiffée d'une toque et rejetant le buste en arrière)

1898 · Lithograph

composition (irreg.): 9 1/2 x 9 1/8" (24.2 x 23.1 cm); sheet (irreg.): 14 15/16 x 13" (38 x 33 cm)

Museum of Modern Art

Woman Wearing a Toque and a Mermaid's Tail (Femme coiffée d'une toque et rejetant le buste en arrière)

1898 · Lithograph

composition (irreg.): 9 5/16 x 9" (23.7 x 22.9 cm); sheet: 12 11/16 x 9 7/8" (32.3 x 25.1 cm)

Museum of Modern Art

Sleep (Le Sommeil)

1898 · Lithograph

composition (irreg.): 4 7/8 x 4 15/16" (12.4 x 12.6 cm); sheet: 12 1/16 x 9 15/16" (30.7 x 25.2 cm)

Museum of Modern Art

Arï

1898 · Lithograph

composition: 81/16 x 51/8" (20.5 x 13 cm); sheet: 12 3/4 x 9" (32.4 x 22.8 cm)

Museum of Modern Art

Flower Clouds

1898 · Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard

44.5 × 54.2 cm (17 9/16 × 21 3/8 in.)

Art Institute of Chicago

Orpheus

1898 · pastel on brown paper

Sheet: 68.8 x 56.8 cm (27 1/16 x 22 3/8 in.)

Cleveland Museum of Art

Tete d'Enfant avec Fleurs (Head of a Child with Flowers)

1897 · lithograph

National Gallery of Art

Béatrice

1897 · color lithograph on chine collé

overall: 33.6 x 29.7 cm (13 1/4 x 11 11/16 in.)

National Gallery of Art

La Sulamite (The Shulamite)

1897 · lithograph in black and yellow on chine volant (chine volant refers to a sheet of free-floating china paper that has not been bonded to a heavier support, as in chine appliqué)

sheet: 32.1 x 31.5 cm (12 5/8 x 12 3/8 in.)

National Gallery of Art

The Shulamite

1897 · Lithograph printed in blue and yellow-orange on heavy light gray chine

Image: 24.1 × 19.3 cm (9 1/2 × 7 5/8 in.); Sheet: 25.8 × 32.4 cm (10 3/16 × 12 13/16 in.)

Art Institute of Chicago

Child's Head With Flowers

1897 · Lithograph in black on green wove paper

Image: 29.2 × 24.7 cm (11 1/2 × 9 3/4 in.); Sheet: 37.8 × 29.2 cm (14 15/16 × 11 1/2 in.)

Art Institute of Chicago

Beatrice

1897 · Lithograph in yellow, blue, and green on light gray China paper laid down on cream wove paper

Image/chine: 33.4 × 29.6 cm (13 3/16 × 11 11/16 in.); Sheet: 56.7 × 43 cm (22 3/8 × 16 15/16 in.)

Art Institute of Chicago

Child's Head With Flowers

1897 · Lithograph in brown on ivory China paper laid down on ivory wove paper

Image/chine: 24.9 × 21.1 cm (9 13/16 × 8 5/16 in.); Sheet: 45.1 × 34.9 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

The Shulamite

1897 · Lithograph printed in black and yellow on heavy cream chine

Image: 25.2 × 20.2 cm (9 15/16 × 8 in.); Sheet: 32.2 × 32.2 cm (12 11/16 × 12 11/16 in.)

Art Institute of Chicago

The Shulamite

1897 · Lithograph printed in blue, yellow, and violet on buff Japanese paper

Image: 24.1 × 21.2 cm (9 1/2 × 8 3/8 in.); Sheet: 31.1 × 21.9 cm (12 1/4 × 8 5/8 in.)

Art Institute of Chicago

Child's Head With Flowers

1897 · Lithograph in black on light gray chine

Image: 31.7 × 24.6 cm (12 1/2 × 9 11/16 in.); Sheet: 45 × 30.5 cm (17 3/4 × 12 1/16 in.)

Art Institute of Chicago

Child's Head With Flowers

1897 · Lithograph in black on light gray loose chine

Image: 29 × 24.6 cm (11 7/16 × 9 11/16 in.); Sheet: 42.9 × 32.6 cm (16 15/16 × 12 7/8 in.)

Art Institute of Chicago