WattsOS
DG
Die gegenstandslose Welt
1980
xix, 100, 37 pages, Height: 10 1/4 in. (26 cm)
The Metropolitan Museum of Art

Kazimir Malevich reduced painting to its most elemental geometry, founding Suprematism, a movement built on the premise that pure geometric form and a stripped palette could express feeling without recourse to representation. Working in oil on canvas, he constructed compositions of squares, circles, and crosses against white grounds, severing painting from the visible world entirely. His 1915 Black Square, exhibited at the Last Futurist Exhibition in Petrograd, remains one of modernism's most consequential objects. As a theorist alongside his painting practice, Malevich articulated Suprematism as a philosophical position, not merely a formal one.
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