WATTS INDEXThe canonical database of visual culture

Artists›John Singleton Copley

John Singleton Copley

1738–1815

WA-00016962

Boston, MA, USA

Mixed Media

Representation

None documented

Institutional Exhibitions

102

Works in Collection

117

Assets Indexed

Authority-backed Facts

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ316016

Selected Institutional Exhibitions

View all exhibitions →

No image

Romantic Painting in America

Museum of Modern Art, New York

1943–1944

No image

Three Centuries of American Art

Museum of Modern Art, New York

1938

No image

American Art Portfolio

Museum of Modern Art, New York

1936

Field Verification (3 fields)

1 cross-verified · 2 single-source

Birth yearArtsy· 85%✓
BiographyWikipedia· 88%
NationalityArtsy· 85%

Source Registry (1)

Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for John Singleton Copley yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Mixed Media

Related Artists

6 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art Cleveland Museum of Art Smithsonian American Art Museum Art Institute of Chicago National Gallery of Art Tate

Canonical record

Artworks (102)

A Hussar Officer on Horseback

1812 · black and white chalk

Sheet: 27.6 x 22.1 cm (10 7/8 x 8 11/16 in.)

Cleveland Museum of Art

WattsOS

Sailors Maneuvering a Cannon, Possibly a Study for "The Death of Sir John More at Corunna"

1807 · Black chalk and white-chalk heightening on blue laid paper

11 3/4 x 14 3/4 in. (29.8 x 37.5 cm)

The Metropolitan Museum of Art

The Prince Regent as a Hussar

1804 · black chalk heightened with white and squared in red on blue paper

sheet: 35.1 × 51.3 cm (13 13/16 × 20 3/16 in.)

National Gallery of Art

Baron Graham

1804 · oil on canvas

overall: 144.8 x 118.8 cm (57 x 46 3/4 in.) framed: 174 x 145.1 x 12.4 cm (68 1/2 x 57 1/8 x 4 7/8 in.)

National Gallery of Art

Colonel William Fitch and His Sisters Sarah and Ann Fitch

1800 · oil on canvas

overall: 257.8 x 340.4 cm (101 1/2 x 134 in.) framed: 283.9 x 365.8 x 11.1 cm (111 3/4 x 144 x 4 3/8 in.)

National Gallery of Art

WattsOS

Two Equestrian Figures, Possibly a Study for "George IV, Prince of Wales"

1800 · Black chalk and white-chalk heightening on blue wove paper

11 9/16 x 18 1/8 in. (29.4 x 46 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Knatchbull Family": Norton Joseph Knatchbull

1800 · Black chalk, white-chalk heightening, and graphite on dark blue laid paper

13 7/8 x 11 3/8 in. (35.2 x 28.9 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Knatchbull Family": Sir Edward Knatchbull

1800 · Black chalk, white-chalk heightening, and graphite on dark blue laid paper

13 13/16 x 11 3/16 in. (35.1 x 28.4 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors

1798 · Black chalk, white-chalk heightening, and gouche on blue laid paper

13 x 18 1/2 in. (33 x 47 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Two Studies of a Man with a Sail or Flag

1798 · Black and red chalk, white-chalk heightening, and graphite on blue laid paper

11 3/8 x 14 7/16 in. (28.9 x 36.7 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Three Figures Raising the Colors

1798 · Black and red chalk and white-chalk heightening on blue laid paper

12 7/16 x 9 in. (31.6 x 22.9 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Lord Admiral Duncan

1798 · Black and red chalk and white-chalk heightening on blue laid paper

12 3/16 x 6 3/4 in. (31 x 17.1 cm)

The Metropolitan Museum of Art

The Red Cross Knight

1793 · oil on canvas

overall: 213.5 x 273 cm (84 1/16 x 107 1/2 in.) framed: 345.4 x 285.4 x 11.4 cm (136 x 112 3/8 x 4 1/2 in.)

National Gallery of Art

WattsOS

Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors

1785 · Black chalk and white-chalk heightening on light blue laid paper

14 5/8 x 23 in. (37.1 x 58.4 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": The Wrecked Longboat

1785 · Pen and brown ink and black chalk on off-white laid paper

10 5/8 x 20 11/16 in. (27 x 52.5 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Three Figures

1785 · Black and red chalk on blue laid paper

14 3/8 x 23 in. (36.5 x 58.4 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Sprawling Figures

1785 · Black chalk on off-white laid paper

10 5/8 x 20 11/16 in. (27 x 52.5 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Figure Astride Cannon Pulling Down Spanish Colors

1785 · Black chalk, white-chalk heightening, and graphite on blue laid paper

14 x 8 1/4 in. (35.6 x 21 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Figures Scaling Floating Battery; Cannon

1785 · Black and red chalk on blue laid paper

17 1/2 x 13 1/4 in. (44.5 x 33.7 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Three Officers, Two Standing and One Kneeling

1785 · Black chalk and white-chalk heightening on blue laid paper

14 5/16 x 22 5/8 in. (36.4 x 57.5 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Figures Astride Spar

1785 · Black and red chalk and white-chalk heightening on dark blue laid paper

22 5/8 x 18 3/8 in. (57.5 x 46.7 cm)

The Metropolitan Museum of Art

WattsOS

Study for "The Siege of Gibraltar": Officer in Four Poses

1785 · Black chalk on blue laid paper

14 5/16 x 22 13/16 in. (36.4 x 57.9 cm)

The Metropolitan Museum of Art

Drapery Study; Two Figures Pulling a Pole

1785 · black chalk heightened with white chalk

Sheet: 35.5 x 56.7 cm (14 x 22 5/16 in.)

Cleveland Museum of Art

Sketch for "Siege of Gibraltar"

1785 · Black chalk, heightened with white chalk, on blue laid paper

32.9 × 25.2 cm (13 × 9 15/16 in.)

Art Institute of Chicago

View all 102 artworks →

Artwork sources (6)

102 published of 102 catalogued · 54 with image

The Met
54 published7 img
Nga
23 published23 img
Art Institute Chicago
8 published8 img
Cleveland Museum of Art
7 published6 img
Tate
7 published7 img
Smithsonian
3 published3 img

Per-Artwork Provenance Chains (top 10)

10 entries · 1 sources

Anna Dummer Powell
1764 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Nathaniel Hurd
1760 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Catherine Greene
1769 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Original invoice from the artist for the painting 1980.202
1764 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Hussar Officer on Horseback
1812 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Siege and Relief of Gibraltar, 13 September 1782; ?replica
1783 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Study for ‘The Collapse of the Earl of Chatham’
1779 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Death of Major Peirson, 6 January 1781
1783 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Study for ‘The Collapse of the Earl of Chatham’
1779 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Collapse of the Earl of Chatham in the House of Lords, 7 July 1778
1779 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

15 assets

Artsy

Cleveland Museum of Art

Art Institute of Chicago

Art Institute of Chicago

View all 15 media items →

Relationships

Collections6

The Metropolitan Museum of Art Cleveland Museum of Art Smithsonian American Art Museum Art Institute of Chicago National Gallery of Art Tate

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

In collection

Cleveland Museum of Art

In collection

Smithsonian American Art Museum

In collection

Art Institute of Chicago

In collection

National Gallery of Art

In collection

Tate

Record

Exhibitions and timeline

Group Exhibition Romantic Painting in America

New York · 1943

Group Exhibition Three Centuries of American Art

New York · 1938

Group Exhibition American Art Portfolio

New York · 1936