Artworks · Jacques Lipchitz

Untitled from Homage to Picasso (Hommage à Picasso)

1973 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition: 25 3/8 x 17 3/4" (64.4 x 45.1cm); sheet: 30 11/16 x 22 13/16" (78 x 57.9cm)

Museum of Modern Art

Tree of Life III

1971 · Color lithograph on ivory wove paper

65.5 × 46.5 cm (25 13/16 × 18 5/16 in.)

Art Institute of Chicago

Tree of Life I

1971 · Color lithograph on ivory wove paper

65.5 × 46.5 cm (25 13/16 × 18 5/16 in.)

Art Institute of Chicago

Tree of Life II

1971 · Color lithograph on ivory wove paper

65.5 × 46.5 cm (25 13/16 × 18 5/16 in.)

Art Institute of Chicago

Sketch for ‘Government of the People’

1967 · Plaster

object: 864 x 530 x 260 mm

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Untitled from Flight

1965 · Lithograph from a portfolio of eleven lithographs and one screenprint

composition (irreg.): 21 1/2 × 14 1/4" (54.6 × 36.2 cm); sheet: 25 1/2 × 20" (64.8 × 50.8 cm)

Museum of Modern Art

Sketch for ‘Bellerophon Taming Pegasus’

1964 · Plaster

object: 522 x 407 x 127 mm

Tate

Sketch for Duluth Monument

1963 · Plaster

object: 533 x 127 x 127 mm

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Untitled

1963 · Lithograph in red-brown and black on natural Nacre paper

Image: 47.5 × 72 cm (18 3/4 × 28 3/8 in.); Sheet: 56.5 × 77 cm (22 1/4 × 30 3/8 in.)

Art Institute of Chicago

Untitled

1963 · Lithograph

composition (irreg.): 19 1/4 × 28 7/16" (48.9 × 72.2 cm); sheet: 22 5/16 × 30 3/16" (56.6 × 76.7 cm)

Museum of Modern Art

Sketch for ‘Our Tree of Life’

1962 · Plaster

object: 825 x 470 x 290 mm

Tate

The Bull and the Condor

1962 · Lithograph on Japanese paper

76.9 × 57 cm (30 5/16 × 22 1/2 in.)

Art Institute of Chicago

The Bull and the Condor

1962 · Lithograph

composition (irreg.): 28 1/16 × 20 15/16" (71.2 × 53.2 cm); sheet: 30 1/4 × 22 5/16" (76.9 × 56.6 cm)

Museum of Modern Art

Sketch for Lower Part of ‘Our Tree of Life’

1960 · Plaster

object: 558 x 177 x 228 mm

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Sketch for Enterprise

1953 · Plaster

object: 218 x 330 x 152 mm

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Mother and Child I

1949 · Plaster

object: 483 x 285 x 254 mm

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Study for Hagar

1948 · Plaster and iron filings

object: 241 x 222 x 203 mm

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Variation on the Theme of Hagar

1948 · Plaster

object: 162 x 230 x 103 mm

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Hagar

1948 · Plaster

object: 155 x 184 x 105 mm

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Song of Songs

1946 · Plaster

object: 470 x 965 x 273 mm

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Song of Songs

1945 · Plaster

object: 139 x 216 x 89 mm

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The Joy of Orpheus II

1945 · Plaster

object: 521 x 342 x 254 mm

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Theseus

1943 · Etching, engraving and aquatint, printed in black

Plate 13 13/16 x 11 3/16" (35.1 x 28.4 cm) Sheet 25 1/8 x 15" (64.0 x 38.0 cm)

Museum of Modern Art

Composition with Figures

1943 · Etching, drypoint and aquatint

8 15/16 x 6 7/8" (22.5 x 17.5 cm)

Museum of Modern Art

Pastoral

1942 · plaster painted and coated with shellac

12.7 × 14 × 12.1 cm (5 × 5 1/2 × 4 3/4 in.)

Art Institute of Chicago

Mother and Child, II

1941 · Bronze

50 x 51 x 32 1/2" (127 x 129.5 x 82.5 cm)

Museum of Modern Art

Blossoming

1941 · Bronze

21 1/2 x 16 1/2 x 16 3/8" (54.6 x 41.8 x 41.5 cm)

Museum of Modern Art

The Rape of Europa IV

1941 · Ink, red chalk, gouache, and pencil on paper

26 x 20" (66 x 51 cm)

Museum of Modern Art

Theseus

1939 · Etching on ivory wove paper

Image/plate: 22.8 × 17.4 cm (9 × 6 7/8 in.); Sheet: 30.7 × 23.5 cm (12 1/8 × 9 5/16 in.)

Art Institute of Chicago

Study for the sculpture Mother and Child

1939 · Watercolor and ink on paper

9 1/4 x 12 1/4" (23.4 x 31.1 cm)

Museum of Modern Art

Rape of Europa II

1938 · Bronze

39.5 × 60.3 × 32.5 cm (15 1/2 × 23 3/4 × 12 3/4 in.)

Art Institute of Chicago

The Rape of Europa, II

1938 · Bronze

15 1/4 x 23 1/8 x 12 3/4" (38.7 x 58.7 x 31.9 cm)

Museum of Modern Art

Study

1937 · Brush and black ink and gray wash, with graphite on off-white wove paper

55.9 × 43.5 cm (22 1/16 × 17 3/16 in.)

Art Institute of Chicago

Study for a Monument

1936 · Plaster

object: 514 x 254 x 222 mm

Tate

Study for Prometheus

1936 · Plaster

object: 190 x 228 x 890 mm

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The Rape of Europa

1936 · Plaster

object: 407 x 597 x 337 mm

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Study for ‘Prometheus’

1936 · Ink and gouache on paper

support: 308 x 241 mm

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Plate (folio 29) from 23 Gravures

1935 · Drypoint with roulette from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut

plate: 10 9/16 × 8 9/16" (26.9 × 21.8 cm); sheet: 12 9/16 × 9 13/16" (31.9 × 24.9 cm)

Museum of Modern Art

Study for a Monument

1934 · Plaster

object: 317 x 89 x 89 mm

Tate

First Study for ‘Toward a New World’

1934 · Plaster

object: 108 x 89 x 51 mm

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First Study for Pastoral

1934 · Terracotta on plaster base

object: 120 x 127 x 82 mm

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David and Goliath

1933 · Plaster

object: 279 x 279 x 152 mm

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David and Goliath, on a Column

1933 · Plaster

object: 330 x 133 x 133 mm

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Bull and Condor

1932 · Plaster

object: 210 x 325 x 150mm

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Woman with Hair

1932 · Plaster

object: 127 x 89 x 63 mm

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Picador, Bas Relief

1932 · Terracotta and plaster

object: 508 x 647 x 102 mm

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Jacob and the Angel

1931 · Plaster

object: 247 x 349 x 184 mm

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First Study for Prometheus

1931 · Plaster

object: 120 x 279 x 140 mm

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