Untitled from Homage to Picasso (Hommage à Picasso)

Jacques LipchitzWW-1973-M052341

1973·Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts·composition: 25 3/8 x 17 3/4" (64.4 x 45.1cm); sheet: 30 11/16 x 22 13/16" (78 x 57.9cm)

Catalogue

Year: 1973
Medium: Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts
Dimensions: composition: 25 3/8 x 17 3/4" (64.4 x 45.1cm); sheet: 30 11/16 x 22 13/16" (78 x 57.9cm)
Collection: Museum of Modern Art
Artist: Jacques Lipchitz

Artist

Jacques Lipchitz

Sculpture

One of the most important abstract sculptors of the 20th century, Jacques Lipchitz is best known for his Cubist figures, portraits and still lifes. Favoring bronze and stone, Lipchitz explored mythological, Biblical and universal human themes with a fervent emotional intensity. As a Jewish-born Lithuanian forced to flee Paris at the outset of the Second World War, Lipchitz’s experiences of persecution and displacement had a profound impact on his artistic evolution. While works from his Cubist period reveal a sophisticated grasp of line, plane and volume, in the latter part of his career, Lipchitz evolved toward a more figurative, expressive style.

Druskininkai, Lithuania

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