Artworks · Francisco Goya

Modo de volar (A Way of Flying)

1864 · etching, aquatint, and drypoint

page size: 32.3 × 46 cm (12 11/16 × 18 1/8 in.)

National Gallery of Art

Que valor! (What Courage!)

1863 · etching, aquatint, drypoint, engraving, and burnishing on wove paper

plate: 15.4 × 20.6 cm (6 1/16 × 8 1/8 in.) sheet: 24.1 × 29 cm (9 1/2 × 11 7/16 in.)

National Gallery of Art

No se convienen (They Do Not Agree)

1863 · etching, drypoint, engraving, and burnishing on wove paper

plate: 14.6 × 21.8 cm (5 3/4 × 8 9/16 in.) sheet: 24.9 × 34.1 cm (9 13/16 × 13 7/16 in.)

National Gallery of Art

No se puede mirar (One Can't Look)

1863 · etching, burnished lavis, drypoint, and burin

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Yo lo vi (I Saw It)

1863 · etching, drypoint, and burin

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Y esto tambien (And This Too)

1863 · etching, aquatint or lavis, drypoint, and burin

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Tanto y mas (Even Worse)

1863 · etching, lavis, and burin

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Ni por esas (Neither Do These)

1863 · etching, lavis, drypoint, and burin

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Y no hai remedio (And There's No Help for It)

1863 · etching, drypoint, burin, and burnisher

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

No se convienen (They Do Not Agree)

1863 · etching, drypoint, burin, and burnisher

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Por que? (Why?)

1863 · etching, lavis, drypoint, burin, and burnisher

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Que valor! (What Courage!)

1863 · etching, aquatint, drypoint, engraving, and burnishing

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

No se puede saber por que (One Can't Tell Why)

1863 · etching, burnished lavis, drypoint, and burin

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Fuerte cosa es! (That's Tough!)

1863 · etching, burnished aquatint, and drypoint

plate: 15.2 × 20.5 cm (6 × 8 1/16 in.) page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Y son fieras (And They Are Like Wild Beasts)

1863 · etching, burnished aquatint, and drypoint

page size: 24 × 33 cm (9 7/16 × 13 in.)

National Gallery of Art

Old Man on a Swing

1826 · etching, burnished aquatint and/or lavis on heavy laid paper [printed in the Calcografia in 1859 for John Saville Lumley]

plate: 18.8 × 12.2 cm (7 3/8 × 4 13/16 in.) sheet: 21.4 × 14.4 cm (8 7/16 × 5 11/16 in.)

National Gallery of Art

Bull Attacked by Dogs

1825 · lithograph on wove paper

sheet: 20.4 × 27 cm (8 1/16 × 10 5/8 in.)

National Gallery of Art

Bullfight in a Divided Ring

1825 · lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825]

National Gallery of Art

Dibersion de España (Spanish Entertainment)

1825 · lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825]

sheet: 35.9 x 48.6 cm (14 1/8 x 19 1/8 in.)

National Gallery of Art

El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos)

1825 · lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825]

National Gallery of Art

Picador Caught by a Bull

1825 · lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825]

National Gallery of Art

Maja

1824 · etching and aquatint with burnishing on heavy laid paper

plate: 18.9 x 12.3 cm (7 7/16 x 4 13/16 in.) sheet: 24 x 17.6 cm (9 7/16 x 6 15/16 in.)

National Gallery of Art

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)

1824 · black chalk on greenish laid paper

overall: 19.4 x 14 cm (7 5/8 x 5 1/2 in.)

National Gallery of Art

The Blind Singer

1824 · etching, aquatint and/or lavis, drypoint and burin on laid paper

plate: 18.8 × 12 cm (7 3/8 × 4 3/4 in.) sheet: 48.6 × 30.8 cm (19 1/8 × 12 1/8 in.)

National Gallery of Art

Old Woman on a Swing

1824 · etching on laid paper

plate: 18.7 × 12.1 cm (7 3/8 × 4 3/4 in.) sheet: 21.4 × 14.5 cm (8 7/16 × 5 11/16 in.)

National Gallery of Art

Don Ramón Satué (1765-1824). Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)

1823 · canvas, oil paint (paint)

depth: 7 cm, width: 83.5 cm, height: 135.5 cm, width: 112 cm, height: 107 cm

Rijksmuseum

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect

1820 · Oil on canvas

40 1/4 x 32 in. (102.2 x 81.3 cm)

The Metropolitan Museum of Art

Portrait of Don Juan Antonio Cuervo

1819 · oil on canvas

Framed: 136.8 x 105.1 x 7.3 cm (53 7/8 x 41 3/8 x 2 7/8 in.); Unframed: 120 x 87 cm (47 1/4 x 34 1/4 in.)

Cleveland Museum of Art

Disparate conocido (Well-Known Folly)

1816 · etching and burnished aquatint [trial proof printed posthumously before 1877]

plate: 24.5 x 35.6 cm (9 5/8 x 14 in.) sheet: 27.1 x 38 cm (10 11/16 x 14 15/16 in.)

National Gallery of Art

Disparate puntual (Sure Folly)

1816 · etching, aquatint and (drypoint?)

plate: 21.9 x 32.8 cm (8 5/8 x 12 15/16 in.) Overall: 28.1 x 38.8 cm (11 1/16 x 15 1/4 in.) image: 21.9 x 32.7 cm (8 5/8 x 12 7/8 in.)

National Gallery of Art

Disparate conocido (Well-Known Folly)

1816 · etching and burnished aquatint

National Gallery of Art

Disparate de Carnabal (Carnival Folly)

1816 · etching and aquatint

National Gallery of Art

Los ensacados (The Men in Sacks)

1816 · etching and burnished aquatint

National Gallery of Art

Disparate femenino (Feminine Folly)

1816 · etching, aquatint and (drypoint?)

National Gallery of Art

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)

1816 · etching, drypoint and burin [working proof]

National Gallery of Art

Disparate desordenado (Disorderly Folly)

1816 · etching, aquatint and drypoint

National Gallery of Art

Disparate furioso (Furious Folly)

1816 · etching and burnished aquatint

National Gallery of Art

La lealtad (Loyalty)

1816 · etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)

1816 · etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)

1816 · etching, burnished aquatint and burin [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate de Carnabal (Carnival Folly)

1816 · etching and aquatint [trial proof printed posthumosuly circa 1854-1863]

National Gallery of Art

Modo de volar (A Way of Flying)

1816 · etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate claro (Clear Folly)

1816 · etching, burnished aquatint and lavis [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

El caballo raptor (The Horse-Abductor)

1816 · etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863]

plate: 24.5 x 35.7 cm (9 5/8 x 14 1/16 in.) sheet: 30.5 x 46.4 cm (12 x 18 1/4 in.) image: 21.1 x 31.9 cm (8 5/16 x 12 9/16 in.)

National Gallery of Art

Disparate pobre (Poor Folly)

1816 · etching, burnished aquatint, drypoint and burin [trial proof printed posthumously circa 1854-1863]

plate: 24.5 x 35.7 cm (9 5/8 x 14 1/16 in.) sheet: 30.8 x 46.4 cm (12 1/8 x 18 1/4 in.) image: 21.6 x 32.4 cm (8 1/2 x 12 3/4 in.)

National Gallery of Art

Disparate allegre (Merry Folly)

1816 · etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Los ensacados (The Men in Sacks)

1816 · etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate general (General Folly)

1816 · etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art