Artworks · Francisco Goya

Disparate desordenado (Disorderly Folly)

1816 · etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Bobalicon (Simpleton)

1816 · etching, burnished aquatint, burin and (drypoint?) [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate furioso (Furious Folly)

1816 · etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate volante (Flying Folly)

1816 · etching and aquatint [trial proof printed posthumoously circa 1854-1863]

National Gallery of Art

Disparate ridiculo (Ridiculous Folly)

1816 · etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate de miedo (Folly of Fear)

1816 · etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863]

National Gallery of Art

Disparate femenino (Feminine Folly)

1816 · etching, aquatint and (drypoint?) (trial proof printed posthumously circa 1854-1863]

plate: 24.7 x 35.6 cm (9 3/4 x 14 in.) sheet: 30.6 x 46.1 cm (12 1/16 x 18 1/8 in.) image: 21.3 x 32.4 cm (8 3/8 x 12 3/4 in.)

National Gallery of Art

Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Banderillas de fuego (Banderillas with Firecrackers)

1816 · etching, burnished aquatint, lavis, drypoint and burin [first edition impression]

National Gallery of Art

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

1816 · etching, aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)

1816 · etching, burnished aquatint, and burin [first edition impression]

National Gallery of Art

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)

1816 · etching and burnished aquatint [first edition impression]

National Gallery of Art

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Echan perros al toro (They Loose Dogs on the Bull)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

1816 · etching and aquatint [first edition impression]

National Gallery of Art

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)

1816 · etching, burnished aquatint, lavis, drypoint and burin [first edition impression]

National Gallery of Art

Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)

1816 · etching, aquatint, drypoint and burin [first edition impression]

National Gallery of Art

El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)

1816 · etching, burnished aquatint and burin [first edition impression]

National Gallery of Art

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)

1816 · etching, burnished aquatint and burin [first edition impression]

National Gallery of Art

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

1816 · etching, burnished aquatint and burin [first edition impression]

National Gallery of Art

El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Capean otro encerrado (They Play Another with the Cape in an Enclosure)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Otro modo de cazar a pie (Another Way of Hunting on Foot)

1816 · etching, burnished aquatint, drypoint and burin [first edition impression]

National Gallery of Art

Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)

1816 · etching, burnished aquatint and drypoint [first edition impression]

National Gallery of Art

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F

1812 · Brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper

20.2 × 14.1 cm (8 × 5 9/16 in.)

Art Institute of Chicago

Fuerte cosa es! (That's Tough!)

1810 · etching, aquatint, and drypoint with burnishing (proof) on laid paper

plate: 15.5 × 20.3 cm (6 1/8 × 8 in.) sheet: 19.4 × 25.1 cm (7 5/8 × 9 7/8 in.)

National Gallery of Art

No Hay Quien Los Socorra (Nobody Can Help Them)

1810 · etching and aquatint with burin and burnishing on wove paper

plate: 15.4 x 21.8 cm (6 1/16 x 8 9/16 in.) sheet: 23.5 x 23.2 cm (9 1/4 x 9 1/8 in.)

National Gallery of Art

Esto es lo verdadero (This Is the Truth)

1810 · etching, aquatint, drypoint, burin and burnisher on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58]

plate: 17.5 × 21.7 cm (6 7/8 × 8 9/16 in.) sheet: 28 × 38.1 cm (11 × 15 in.)

National Gallery of Art

Fiero monstruo! (Fierce Monster!)

1810 · etching, drypoint and burin on Arches laid paper [trial proof printed posthumously in the Calcografia in 1957-58]

plate: 17.5 × 21.5 cm (6 7/8 × 8 7/16 in.) sheet: 28 × 38 cm (11 × 14 15/16 in.)

National Gallery of Art

Victor Guye

1810 · oil on canvas

overall: 103.5 x 84.5 cm (40 3/4 x 33 1/4 in.) framed: 133 x 111.1 x 7.6 cm (52 3/8 x 43 3/4 x 3 in.)

National Gallery of Art

No se puede saber por que (One Can't Tell Why)

1810 · etching, burnished lavis, drypoint and burin on wove paper

plate: 15.3 × 20.5 cm (6 × 8 1/16 in.) sheet: 24 × 33.4 cm (9 7/16 × 13 1/8 in.)

National Gallery of Art

Esto es lo verdadero (This Is the Truth)

1810 · etching, aquatint, drypoint, burin and burnisher in umber on laid paper [trial proof printed posthumously by Lefort and/or in the Calcografia c.1870)

National Gallery of Art