Artworks · Francesco Solimena

Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant

1731 · Oil on canvas

23 1/4 x 18 1/4 in. (59.1 x 46.4 cm)

The Metropolitan Museum of Art

Seated Allegorical Female Figure

1700 · Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper

30.3 × 22.9 cm (11 15/16 × 9 1/16 in.)

Art Institute of Chicago

Adam and Eve in Paradise

1695 · Oil on canvas

128.2 × 101 cm (50 1/2 × 39 3/4 in.)

Art Institute of Chicago

Portrait of a Girl

1695 · Oil on canvas

56.3 × 43.2 cm (22 3/16 × 17 in.)

Art Institute of Chicago

Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples

1690 · Pen and brown ink, gray, green, and rose washes over graphite

The Metropolitan Museum of Art

Jacopo Butera

1690 · Oil on canvas

117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)

Art Institute of Chicago

Ruler Receiving Lady

1677 · Pen and brown ink, over black chalk, on cream laid paper, laid down on cream laid paper

30 × 42.6 cm (11 13/16 × 16 13/16 in.)

Art Institute of Chicago

Juno and Aeolus

1677 · Pen and brown ink, and brush and brown wash, with traces of black chalk, on cream laid paper laid, down on cream laid paper

32.8 × 28.3 cm (12 15/16 × 11 3/16 in.)

Art Institute of Chicago

Spandrel Decoration with Seated Allegorical Figures of Hope and Concord

1677 · Pen and brown ink with brush and brown and gray wash, over traces of black chalk, squared in black chalk on ivory laid paper

18.7 × 35.5 cm (7 3/8 × 14 in.)

Art Institute of Chicago

Christ Healing the Lame Man

1677 · Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper

16.6 × 39.2 cm (6 9/16 × 15 7/16 in.)

Art Institute of Chicago

Holy Family with Saints

1677 · Pen and black ink, with brush and brown wash, and black chalk, on ivory laid paper, tipped on brownish-tan wove paper

20.2 × 27.4 cm (8 × 10 13/16 in.)

Art Institute of Chicago

Pope Blessing Nun

1677 · Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper

22.8 × 29 cm (9 × 11 7/16 in.)

Art Institute of Chicago

Profile of Male Head, Crowned with Laurel Leaves

1677 · Red chalk heightened with touches of white chalk, on tan laid paper, laid down on cream laid paper

15.5 × 15.3 cm (6 1/8 × 6 1/16 in.)

Art Institute of Chicago

Conversion of Saint Paul

1677 · Pen and brown ink, with brush and brown and gray wash, over traces of black chalk, on cream laid paper

31.5 × 27.5 cm (12 7/16 × 10 7/8 in.)

Art Institute of Chicago

Zittende vrouwenfiguur

1667 · chalk, paper

height: 112 cm, width: 120 cm

Rijksmuseum

Fragment van een krijtschets

1667 · chalk, paper

height: 112 cm, width: 120 cm

Rijksmuseum

A Seated Nude Man Pointing to the Right

1657 · black chalk on laid paper

sheet: 27.9 x 16.6 cm (11 x 6 9/16 in.)

National Gallery of Art

The Marriage of Bacchus and Ariadne

1657 · black chalk on laid paper

sheet: 18.9 x 26.6 cm (7 7/16 x 10 1/2 in.)

National Gallery of Art

A Nude Man Chained to a Rock

1657 · black chalk on laid paper

sheet: 27.9 x 16.6 cm (11 x 6 9/16 in.)

National Gallery of Art

The Triumph of the Trinity (The Gloria)

1657 · black chalk on laid paper

Overall: 21.6 x 16.8 cm (8 1/2 x 6 5/8 in.) support: 23.4 x 18 cm (9 3/16 x 7 1/16 in.)

National Gallery of Art

Title Page with Portrait of Viceroy of Naples

1600 · Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over red and black chalk, on tan laid paper, laid down on tan wove paper

31.1 × 25.4 cm (12 1/4 × 10 in.)

Art Institute of Chicago

Massacre of the Innocents

1600 · Pen and brown ink, over black chalk, on ivory laid paper, tipped onto ivory laid paper and green card

39.5 × 29 cm (15 9/16 × 11 7/16 in.)

Art Institute of Chicago