Artworks · Annibale Carracci

Seated Satyr

1642 · Red chalk, over black chalk, on tan laid paper with blue fibers, laid down on cream laid paper

50.3 × 35.9 cm (19 13/16 × 14 3/16 in.)

Art Institute of Chicago

The Adoration of the Shepherds

1606 · etching and engraving on laid paper

plate: 10.8 x 132 cm (4 1/4 x 51 15/16 in.) sheet: 11 x 13.2 cm (4 5/16 x 5 3/16 in.)

National Gallery of Art

Christ Crowned with Thorns

1606 · etching on laid paper

sheet: 18 x 2.6 cm (7 1/16 x 1 in.) cut to platemark

National Gallery of Art

The Madonna della Scodella

1606 · etching with engraving on laid paper

plate: 12.2 x 16.1 cm (4 13/16 x 6 5/16 in.) plate: 13.6 x 17.4 cm (5 3/8 x 6 7/8 in.)

National Gallery of Art

Madonna and Child with Saints Elizabeth and John the Baptist (La Madonna della Scodella)

1606 · etching and engraving

National Gallery of Art

Madonna and Child with Saints Elizabeth and John the Baptist

1606 · Red chalk on ivory laid paper, tipped onto ivory wove card

13.2 × 16.4 cm (5 1/4 × 6 1/2 in.)

Art Institute of Chicago

Madonna and Child with Saints Elizabeth and John the Baptist

1606 · Engraving and etching in black on ivory laid paper

Image/plate: 12.5 × 16.2 cm (4 15/16 × 6 7/16 in.); Sheet: 13.5 × 16.9 cm (5 3/8 × 6 11/16 in.)

Art Institute of Chicago

Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands

1606 · Etching and engraving

Sheet: 5 1/16 × 6 1/2 in. (12.8 × 16.5 cm)

The Metropolitan Museum of Art

Christ Crowned with Thorns

1606 · Etching

Plate: 7 1/16 × 5 5/16 in. (18 × 13.5 cm)

The Metropolitan Museum of Art

Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands

1606 · Etching and engraving

Sheet: 5 1/16 × 6 1/2 in. (12.8 × 16.5 cm)

The Metropolitan Museum of Art

Christ Crowned with Thorns

1606 · Etching

Plate: 7 1/16 × 5 5/16 in. (18 × 13.5 cm) Sheet: 7 11/16 × 5 13/16 in. (19.5 × 14.8 cm)

The Metropolitan Museum of Art

Mourning over the Body of Saint Stephen

1604 · Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper

21.4 × 27.6 cm (8 7/16 × 10 7/8 in.)

Art Institute of Chicago

Triumph of Bacchus and Ariadne

1600 · Brush and gray wash, with graphite, on ivory laid paper

25.5 × 49.9 cm (10 1/16 × 19 11/16 in.)

Art Institute of Chicago

Term

1600 · Red chalk on cream laid paper, tipped onto ivory wove paper

45.4 × 23.1 cm (17 7/8 × 9 1/8 in.)

Art Institute of Chicago

Reclining Child from Back

1600 · Black chalk with stumping, heightened with white chalk, on gray toned ivory laid paper

19.2 × 22.1 cm (7 9/16 × 8 3/4 in.)

Art Institute of Chicago

Study for an Angel (recto); Study of a Cushion (verso)

1600 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Sheet: 14 1/2 x 9 3/4 in. (36.9 x 24.8 cm)

The Metropolitan Museum of Art

Satyr and Goat

1600 · Red chalk on cream laid paper, laid down on board

17.5 × 18 cm (6 15/16 × 7 1/8 in.)

Art Institute of Chicago

Hercules and Iole

1600 · Graphite, with brush and gray wash, on ivory laid paper

27.5 × 22.6 cm (10 7/8 × 8 15/16 in.)

Art Institute of Chicago

The Drunken SiIenus: Design for the "Tazza Farnese"

1599 · Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoal

sheet: 10 1/16 x 10 1/16 in. (25.6 x 25.5 cm)

The Metropolitan Museum of Art

Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso)

1599 · Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso)

Primary support: 20.4 × 17.7 cm (8 1/16 × 7 in.); With overlays: 28.4 × 17.7 cm (11 3/16 × 7 in.)

Art Institute of Chicago

Studie van een mannelijk naakt

1599 · chalk, paper

height: 225 cm, width: 380 cm

Rijksmuseum

Studie voor een dode Christus

1599 · paper, chalk

height: 225 cm, width: 380 cm

Rijksmuseum

Pieta (the "Christ of Caprarola")

1597 · etching, engraving, and drypoint on laid paper

sheet: 12.5 x 16.2 cm (4 15/16 x 6 3/8 in.)

National Gallery of Art

Satyr Holding a Roundel

1597 · black chalk on gray-blue paper

overall: 38.3 x 25.9 cm (15 1/16 x 10 3/16 in.)

National Gallery of Art

The Drunken Silenus ("The Tazza Farnese")

1597 · engraving on laid paper

sheet: 31.2 × 37.9 cm (12 5/16 × 14 15/16 in.)

National Gallery of Art

Pietà (the "Christ of Caprarola")

1597 · etching, engraving and drypoint

National Gallery of Art

Susanna and the Elders (recto); Profile Head of Woman (verso)

1597 · Black chalk (recto), and red chalk (verso), on cream laid paper

21.8 × 31.3 cm (8 5/8 × 12 3/8 in.)

Art Institute of Chicago

Pietà

1597 · Pen and brown ink with brush and brown and red wash, heightened with white gouache, on tan ground on laid paper, laid down on cream wove board

28.5 × 21 cm (11 1/4 × 8 5/16 in.)

Art Institute of Chicago

Christ of Caprarola

1597 · Engraving, with etching and drypoint, on ivory laid paper

12.3 × 16.2 cm (4 7/8 × 6 7/16 in.)

Art Institute of Chicago

Christ of Caprarola

1597 · Etching, with engraving and drypoint, on ivory laid paper

12.4 × 16 cm (4 15/16 × 6 5/16 in.)

Art Institute of Chicago

Study of Hercules Resting, with Separate Studies of His Head and Foot (recto); Rectangular grid design (verso)

1595 · Black chalk, heightened with white chalk, on blue laid paper

25.9 × 39.5 cm (10 1/4 × 15 9/16 in.)

Art Institute of Chicago

Saint John the Baptist Bearing Witness

1595 · Oil on copper

21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)

The Metropolitan Museum of Art

The Burial of Christ

1595 · Oil on copper

17 1/4 x 13 3/4 in. (43.8 x 34.9 cm)

The Metropolitan Museum of Art

The Coronation of the Virgin

1595 · Oil on canvas

46 3/8 x 55 5/8 in. (117.8 x 141.3 cm)

The Metropolitan Museum of Art

Landscape with Man Sleeping beneath Tree (recto); Landscape with a Horseman (verso)

1595 · Pen and brown ink (recto) and pen and brown, purple, red, and green inks (verso) on cream laid paper

30.4 × 22.5 cm (12 × 8 7/8 in.)

Art Institute of Chicago

The Burial of Christ

1595 · Oil on copper

17 1/4 x 13 3/4 in. (43.8 x 34.9 cm)

The Metropolitan Museum of Art

Saint John the Baptist Bearing Witness

1595 · Oil on copper

21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)

The Metropolitan Museum of Art

Studies van handen, een hals en een oor

1595 · chalk, paper

height: 430 cm, width: 290 cm

Rijksmuseum

The Coronation of the Virgin

1595 · Oil on canvas

46 3/8 x 55 5/8 in. (117.8 x 141.3 cm)

The Metropolitan Museum of Art

Crawling Male Figure (Study for Cacus)

1593 · Charcoal or soft black chalk, highlighted with traces of white chalk, on blue-gray paper faded light brown

The Metropolitan Museum of Art

Venus and a Satyr

1592 · etching with engraving on laid paper

plate: 15.4 × 22.5 cm (6 1/16 × 8 7/8 in.)

National Gallery of Art

Venus and Satyr

1592 · Engraving with etching and plate tone on ivory laid paper

Image/sheet, cut within platemark: 15.1 × 22.2 cm (6 × 8 3/4 in.)

Art Institute of Chicago

Drunken Silenus (the "Tazza Farnese")

1592 · Engraving on ivory laid paper

Image in: Diam.: 32 cm (12 5/8 in.); Sheet: 42.7 × 32 cm (16 13/16 × 12 5/8 in.)

Art Institute of Chicago

Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)

1592 · Engraving printed from shallow silver cup

sheet: 9 15/16 in. (25.3 cm) in diameter

The Metropolitan Museum of Art

Triton Sounding a Conch Shell

1592 · Charcoal or soft black chalk on blue-gray paper; traces of framing outlines in pen and black ink and black chalk

Sheet: 15 1/4 x 9 9/16 in. (38.8 x 24.3 cm)

The Metropolitan Museum of Art

Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)

1592 · Engraving printed from shallow silver cup

sheet: 9 15/16 in. (25.3 cm) in diameter mount: 12 15/16 x 11 1/8 in. (32.8 x 28.2 cm.)

The Metropolitan Museum of Art

Drie hoofden van mannen

1592 · brush on ink

width: 183 cm, height: 216 cm

Rijksmuseum

Saint Jerome in the Wilderness

1591 · etching and engraving on laid paper

plate: 25.2 x 19.3 cm (9 15/16 x 7 5/8 in.) sheet: 25.3 x 19.5 cm (9 15/16 x 7 11/16 in.)

National Gallery of Art