Seated Satyr1642 · Red chalk, over black chalk, on tan laid paper with blue fibers, laid down on cream laid paper50.3 × 35.9 cm (19 13/16 × 14 3/16 in.)Art Institute of Chicago
The Adoration of the Shepherds1606 · etching and engraving on laid paperplate: 10.8 x 132 cm (4 1/4 x 51 15/16 in.) sheet: 11 x 13.2 cm (4 5/16 x 5 3/16 in.)National Gallery of Art
Christ Crowned with Thorns1606 · etching on laid papersheet: 18 x 2.6 cm (7 1/16 x 1 in.) cut to platemarkNational Gallery of Art
The Madonna della Scodella1606 · etching with engraving on laid paperplate: 12.2 x 16.1 cm (4 13/16 x 6 5/16 in.) plate: 13.6 x 17.4 cm (5 3/8 x 6 7/8 in.)National Gallery of Art
Madonna and Child with Saints Elizabeth and John the Baptist (La Madonna della Scodella)1606 · etching and engravingNational Gallery of Art
Madonna and Child with Saints Elizabeth and John the Baptist1606 · Red chalk on ivory laid paper, tipped onto ivory wove card13.2 × 16.4 cm (5 1/4 × 6 1/2 in.)Art Institute of Chicago
Madonna and Child with Saints Elizabeth and John the Baptist1606 · Engraving and etching in black on ivory laid paperImage/plate: 12.5 × 16.2 cm (4 15/16 × 6 7/16 in.); Sheet: 13.5 × 16.9 cm (5 3/8 × 6 11/16 in.)Art Institute of Chicago
WattsOSMAMadonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands1606 · Etching and engravingSheet: 5 1/16 × 6 1/2 in. (12.8 × 16.5 cm)The Metropolitan Museum of Art
WattsOSCCChrist Crowned with Thorns1606 · EtchingPlate: 7 1/16 × 5 5/16 in. (18 × 13.5 cm)The Metropolitan Museum of Art
Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands1606 · Etching and engravingSheet: 5 1/16 × 6 1/2 in. (12.8 × 16.5 cm)The Metropolitan Museum of Art
Christ Crowned with Thorns1606 · EtchingPlate: 7 1/16 × 5 5/16 in. (18 × 13.5 cm) Sheet: 7 11/16 × 5 13/16 in. (19.5 × 14.8 cm)The Metropolitan Museum of Art
Mourning over the Body of Saint Stephen1604 · Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper21.4 × 27.6 cm (8 7/16 × 10 7/8 in.)Art Institute of Chicago
Triumph of Bacchus and Ariadne1600 · Brush and gray wash, with graphite, on ivory laid paper25.5 × 49.9 cm (10 1/16 × 19 11/16 in.)Art Institute of Chicago
Term1600 · Red chalk on cream laid paper, tipped onto ivory wove paper45.4 × 23.1 cm (17 7/8 × 9 1/8 in.)Art Institute of Chicago
Reclining Child from Back1600 · Black chalk with stumping, heightened with white chalk, on gray toned ivory laid paper19.2 × 22.1 cm (7 9/16 × 8 3/4 in.)Art Institute of Chicago
WattsOSSFStudy for an Angel (recto); Study of a Cushion (verso)1600 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)Sheet: 14 1/2 x 9 3/4 in. (36.9 x 24.8 cm)The Metropolitan Museum of Art
Hercules and Iole1600 · Graphite, with brush and gray wash, on ivory laid paper27.5 × 22.6 cm (10 7/8 × 8 15/16 in.)Art Institute of Chicago
Satyr and Goat1600 · Red chalk on cream laid paper, laid down on board17.5 × 18 cm (6 15/16 × 7 1/8 in.)Art Institute of Chicago
WattsOSTDThe Drunken SiIenus: Design for the "Tazza Farnese"1599 · Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoalsheet: 10 1/16 x 10 1/16 in. (25.6 x 25.5 cm)The Metropolitan Museum of Art
Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso)1599 · Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso)Primary support: 20.4 × 17.7 cm (8 1/16 × 7 in.); With overlays: 28.4 × 17.7 cm (11 3/16 × 7 in.)Art Institute of Chicago
Pieta (the "Christ of Caprarola")1597 · etching, engraving, and drypoint on laid papersheet: 12.5 x 16.2 cm (4 15/16 x 6 3/8 in.)National Gallery of Art
Satyr Holding a Roundel1597 · black chalk on gray-blue paperoverall: 38.3 x 25.9 cm (15 1/16 x 10 3/16 in.)National Gallery of Art