Artworks · Agostino Carracci

Seated Male Nude [recto]

1600 · pen and brown ink on laid paper

Overall: 16.8 x 17.5 cm (6 5/8 x 6 7/8 in.) support: 17.8 x 18.2 cm (7 x 7 3/16 in.)

National Gallery of Art

Giovanni Gabrielli

1599 · engraving on laid paper

plate: 18.2 x 12.6 cm (7 3/16 x 4 15/16 in.) sheet: 18.9 x 13.3 cm (7 7/16 x 5 1/4 in.)

National Gallery of Art

Pan Taming Eros

1599 · engraving

National Gallery of Art

Giovanni Gabrielli, called il Sivello

1599 · Engraving on ivory laid paper

Image: 16.3 × 12.2 cm (6 7/16 × 4 13/16 in.); Plate: 18.8 × 12.6 cm (7 7/16 × 5 in.); Sheet: 20.8 × 14.4 cm (8 1/4 × 5 11/16 in.)

Art Institute of Chicago

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree

1599 · Engraving

sheet: 5 x 7 7/16 in. (12.7 x 18.9 cm)

The Metropolitan Museum of Art

Omnia Vincit Amor

1599 · Engraving

Plate: 5 × 7 3/8 in. (12.7 × 18.8 cm) Sheet: 5 1/8 x 7 5/8 in. (13 x 19.3 cm)

The Metropolitan Museum of Art

Love Conquers All

1599 · Etching on ivory laid paper

Image/sheet, cut within platemark: 12.7 × 18.7 cm (5 × 7 3/8 in.)

Art Institute of Chicago

The Holy Family

1597 · engraving on laid paper

plate: 22.5 × 16.7 cm (8 7/8 × 6 9/16 in.) sheet: 24.2 × 18.2 cm (9 1/2 × 7 3/16 in.)

National Gallery of Art

Head of a Faun in a Concave Roundel

1595 · pen and brown ink on laid paper

overall: 18.1 x 18.7 cm (7 1/8 x 7 3/8 in.)

National Gallery of Art

Aeneas and His Family Fleeing Troy

1595 · engraving

Platemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); Sheet: 40.7 x 54 cm (16 x 21 1/4 in.)

Cleveland Museum of Art

The Fan (L'Eventail)

1594 · etching

Cleveland Museum of Art

Portrait of the Artist's Son, Antonio Carracci

1592 · Red chalk on cream laid paper, laid down on cream wove paper

36.1 × 25.6 cm (14 1/4 × 10 1/8 in.)

Art Institute of Chicago

Woodland River with a Boat

1590 · pen and brown ink on laid paper

overall: 21.6 x 32.9 cm (8 1/2 x 12 15/16 in.)

National Gallery of Art

Venus or Galatea Supported by Dolphins

1590 · engraving

National Gallery of Art

Saint Jerome

1590 · Red chalk on ivory laid paper, laid down on ivory wove paper

26.9 × 18.7 cm (10 5/8 × 7 3/8 in.)

Art Institute of Chicago

Saint Jerome

1590 · Red chalk, with stumping and pen and brown ink, on tan laid paper, laid down on ivory laid paper

23.8 × 21 cm (9 3/8 × 8 5/16 in.)

Art Institute of Chicago

Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg

1590 · Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid card

19.6 × 27.1 cm (7 3/4 × 10 11/16 in.)

Art Institute of Chicago

Torquato Tasso, La Gerusalemme liberata

1590 · Bound volume with engravings and letterpress on ivory laid paper

Volume: 25.5 × 29.5 × 3 cm (10 1/16 × 11 5/8 × 1 3/16 in.)

Art Institute of Chicago

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground

1590 · Engraving

sheet: 5 15/16 x 4 5/16 in. (15.1 x 11 cm)

The Metropolitan Museum of Art

A Headpiece in the Form of a Fan

1589 · engraving

National Gallery of Art

Mars Driven Away from Peace and Abundance by Minerva

1589 · Engraving in black on ivory laid paper

Image: 19.2 × 25.4 cm (7 9/16 × 10 in.); Sheet, trimmed along platemark: 19.5 × 25.6 cm (7 11/16 × 10 1/8 in.)

Art Institute of Chicago

Mercury and the Graces

1589 · Engraving with etching in black ink on ivory laid paper

Image: 20.2 × 25.8 cm (8 × 10 3/16 in.); Plate: 20.5 × 25.8 cm (8 1/8 × 10 3/16 in.); Sheet: 20.8 × 25.8 cm (8 1/4 × 10 3/16 in.)

Art Institute of Chicago

Titian

1587 · engraving

sheet (trimmed to platemark): 33.1 × 23.8 cm (13 1/16 × 9 3/8 in.)

National Gallery of Art

Titian

1587 · engraving

sheet (trimmed to image): 32.5 × 23.2 cm (12 13/16 × 9 1/8 in.)

National Gallery of Art

Portrait of Titian

1587 · Engraving on ivory laid paper

Image/sheet, cut within platemark: 32.3 × 23.4 cm (12 3/4 × 9 1/4 in.)

Art Institute of Chicago

Portrait of Titian

1587 · Engraving on ivory laid paper

Image/plate/sheet: 32.4 × 23.2 cm (12 13/16 × 9 3/16 in.)

Art Institute of Chicago

Stigmatization of St. Francis

1586 · Engraving on ivory laid paper

Sheet (trimmed): 45.2 × 31.4 cm (17 13/16 × 12 3/8 in.)

Art Institute of Chicago

St. Francis Receiving the Stigmata

1586 · engraving

Sheet: 45.8 x 31.5 cm (18 1/16 x 12 3/8 in.)

Cleveland Museum of Art

Rest on the Flight into Egypt

1585 · Pen and brown ink, over traces of red chalk, on pieced cream laid paper (oval), laid down on cream card

30.6 × 40.8 cm (12 1/16 × 16 1/8 in.)

Art Institute of Chicago

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)

1585 · Pen and brown ink, over black chalk underdrawing

Sheet: 10 13/16 × 5 7/16 in. (27.4 × 13.8 cm)

The Metropolitan Museum of Art

Orpheus and Eurydice

1585 · Engraving, second state

5 1/2 x 4 in. (14 x 10.2 cm) trimmed to the platemark

The Metropolitan Museum of Art

Ogni cosa vince l'oro

1585 · Engraving

8 3/8 x 5 7/8 in. (21.2 x 15 cm)

The Metropolitan Museum of Art

The Sacrifice of Pelias to Neptune

1584 · Pen and black ink and brush and gray wash, heightened with white gouache, over black chalk, on blue laid paper, squared in black chalk

42.4 × 56.6 cm (16 3/4 × 22 5/16 in.)

Art Institute of Chicago

A Headpiece in the Form of a Fan

1584 · Engraving on ivory laid paper

Image/sheet, cut within platemark: 37 × 24.8 cm (14 5/8 × 9 13/16 in.)

Art Institute of Chicago

The Temptation of Saint Anthony

1582 · Engraving in black on cream laid paper

Sheet, trimmed within plate mark: 50 × 32.8 cm (19 11/16 × 12 15/16 in.)

Art Institute of Chicago

The Crucifixion

1582 · Engraving on ivory laid paper

Sheet (trimmed): 30.3 × 22.1 cm (11 15/16 × 8 3/4 in.)

Art Institute of Chicago

Jacob and Rachel

1581 · Engraving on ivory laid paper

Image/sheet, cut within platemark: 39.1 × 28.9 cm (15 7/16 × 11 7/16 in.)

Art Institute of Chicago

Ecce Homo

1581 · engraving on paper

width: 75 cm, height: 92 cm

Rijksmuseum

Landscape with Two Washerwomen

1580 · pen and brown ink on laid paper

overall: 20.5 x 29.3 cm (8 1/16 x 11 9/16 in.)

National Gallery of Art

Pietro Antonio Tolentino

1580 · engraving

sheet: 25.8 × 19.4 cm (10 3/16 × 7 5/8 in.)

National Gallery of Art

Hilly Landscape with Town in Distance

1577 · Pen and brown ink on ivory laid paper, laid down on ivory wove paper

20.4 × 27.4 cm (8 1/16 × 10 13/16 in.)

Art Institute of Chicago

Adoration of the Shepherds

1577 · Pen and brown ink, over black chalk, with incising, on tan laid paper, laid down on ivory laid paper

39.7 × 26 cm (15 11/16 × 10 1/4 in.)

Art Institute of Chicago

Frieze of Putti, Sketch of Lot and His Daughters, Sketch of Buildings

1577 · Pen and brown ink on ivory laid paper, laid down on blue laid paper

17.6 × 25.4 cm (6 15/16 × 10 in.)

Art Institute of Chicago

Saint Jerome in Penitence

1577 · Engraving on ivory laid paper

39 × 28.1 cm (15 3/8 × 11 1/8 in.)

Art Institute of Chicago

Saint Jerome in Penitence

1577 · Engraving on ivory laid paper

Image/sheet; cut within platemark: 38.7 × 27.7 cm (15 1/4 × 10 15/16 in.)

Art Institute of Chicago

Saint Jerome

1577 · Red chalk on ivory laid paper

42 × 35.2 cm (16 9/16 × 13 7/8 in.)

Art Institute of Chicago

Balaam's Ass

1577 · Black chalk on ivory laid paper

44.7 × 29.4 cm (17 5/8 × 11 5/8 in.)

Art Institute of Chicago

Saint Jerome in Penitence

1577 · Engraving on ivory laid paper

Image/sheet, cut within platemark: 39 × 27.8 cm (15 3/8 × 11 in.)

Art Institute of Chicago