Seated Male Nude [recto]1600 · pen and brown ink on laid paperOverall: 16.8 x 17.5 cm (6 5/8 x 6 7/8 in.) support: 17.8 x 18.2 cm (7 x 7 3/16 in.)National Gallery of Art
Giovanni Gabrielli1599 · engraving on laid paperplate: 18.2 x 12.6 cm (7 3/16 x 4 15/16 in.) sheet: 18.9 x 13.3 cm (7 7/16 x 5 1/4 in.)National Gallery of Art
Giovanni Gabrielli, called il Sivello1599 · Engraving on ivory laid paperImage: 16.3 × 12.2 cm (6 7/16 × 4 13/16 in.); Plate: 18.8 × 12.6 cm (7 7/16 × 5 in.); Sheet: 20.8 × 14.4 cm (8 1/4 × 5 11/16 in.)Art Institute of Chicago
Omnia Vincit Amor1599 · EngravingPlate: 5 × 7 3/8 in. (12.7 × 18.8 cm) Sheet: 5 1/8 x 7 5/8 in. (13 x 19.3 cm)The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree1599 · Engravingsheet: 5 x 7 7/16 in. (12.7 x 18.9 cm)The Metropolitan Museum of Art
Love Conquers All1599 · Etching on ivory laid paperImage/sheet, cut within platemark: 12.7 × 18.7 cm (5 × 7 3/8 in.)Art Institute of Chicago
The Holy Family1597 · engraving on laid paperplate: 22.5 × 16.7 cm (8 7/8 × 6 9/16 in.) sheet: 24.2 × 18.2 cm (9 1/2 × 7 3/16 in.)National Gallery of Art
Head of a Faun in a Concave Roundel1595 · pen and brown ink on laid paperoverall: 18.1 x 18.7 cm (7 1/8 x 7 3/8 in.)National Gallery of Art
Aeneas and His Family Fleeing Troy1595 · engravingPlatemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); Sheet: 40.7 x 54 cm (16 x 21 1/4 in.)Cleveland Museum of Art
Portrait of the Artist's Son, Antonio Carracci1592 · Red chalk on cream laid paper, laid down on cream wove paper36.1 × 25.6 cm (14 1/4 × 10 1/8 in.)Art Institute of Chicago
Woodland River with a Boat1590 · pen and brown ink on laid paperoverall: 21.6 x 32.9 cm (8 1/2 x 12 15/16 in.)National Gallery of Art
Saint Jerome1590 · Red chalk on ivory laid paper, laid down on ivory wove paper26.9 × 18.7 cm (10 5/8 × 7 3/8 in.)Art Institute of Chicago
Saint Jerome1590 · Red chalk, with stumping and pen and brown ink, on tan laid paper, laid down on ivory laid paper23.8 × 21 cm (9 3/8 × 8 5/16 in.)Art Institute of Chicago
Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg1590 · Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid card19.6 × 27.1 cm (7 3/4 × 10 11/16 in.)Art Institute of Chicago
Torquato Tasso, La Gerusalemme liberata1590 · Bound volume with engravings and letterpress on ivory laid paperVolume: 25.5 × 29.5 × 3 cm (10 1/16 × 11 5/8 × 1 3/16 in.)Art Institute of Chicago
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground1590 · Engravingsheet: 5 15/16 x 4 5/16 in. (15.1 x 11 cm)The Metropolitan Museum of Art
Mercury and the Graces1589 · Engraving with etching in black ink on ivory laid paperImage: 20.2 × 25.8 cm (8 × 10 3/16 in.); Plate: 20.5 × 25.8 cm (8 1/8 × 10 3/16 in.); Sheet: 20.8 × 25.8 cm (8 1/4 × 10 3/16 in.)Art Institute of Chicago
Mars Driven Away from Peace and Abundance by Minerva1589 · Engraving in black on ivory laid paperImage: 19.2 × 25.4 cm (7 9/16 × 10 in.); Sheet, trimmed along platemark: 19.5 × 25.6 cm (7 11/16 × 10 1/8 in.)Art Institute of Chicago
Titian1587 · engravingsheet (trimmed to platemark): 33.1 × 23.8 cm (13 1/16 × 9 3/8 in.)National Gallery of Art
Titian1587 · engravingsheet (trimmed to image): 32.5 × 23.2 cm (12 13/16 × 9 1/8 in.)National Gallery of Art