ArtistsDonato Creti
Donato Creti

Donato Creti

Italian, 1671
Painting
Representation
None documented
0
Institutional Exhibitions
5
Works in Collection
29
Assets Indexed
3
Authority-backed Facts
0
Publications Referenced
70%
Profile Completeness

Cultural Positioning

Movements
No movements recorded
Related Artists
No edges recorded
Influence Graph
No influence edges encoded yet.
About

Why this artist matters now

Donato Creti was an Italian painter of the Rococo period whose work resisted the decorative excess of his contemporaries in favor of a crisp, formal neoclassicism. Active primarily in Bologna, Creti developed a distinctive academicized grand manner marked by austere figure modeling and restrained color. His approach bridged the ornamental sensibility of the early eighteenth century and the stricter aesthetic principles that would define neoclassical painting. His pupils included Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger.

Source: Aic · Trust score: 95% · Updated 8d ago

Graph relationships

Taste overlap and adjacency

Movement
Medium
Painting
Related Artists
6 in graph
Institutional

Museum Collections

Canonical record

Artworks (5)

Record

Images

18 assets
Adoration of the Angels (ca. 1725)
Smithsonian Institution
Saint Francis Receiving the Stigmata (ca. 1720)
Smithsonian Institution
The Head of an Old Bearded Man (ca. 1710)
Smithsonian Institution
Mary with the Child (ca. 1720)
Smithsonian Institution
Antique Warriors and Mythological Subjects (n.d.)
Art Institute of Chicago
Death of Dido (n.d.)
Art Institute of Chicago
Rinaldo and Armida (c. 1693)
Art Institute of Chicago
Saint Jerome and the Lion   Donato Creti
Wikimedia Commons (Instagram fallback)
View all 18 media items →
Record

Movements and affiliations

No movements linked yet
Institutional

Representation & Collections

In collection
Art Institute of Chicago
In collection
National Gallery of Art
Record

Exhibitions and timeline

No exhibitions or timeline entries yet