WATTS INDEXThe canonical database of visual culture

Artists›Francesco Solimena

Francesco Solimena

Italian, 1657–1747

WA-00023233

Canale di Serino

DrawingBaroque

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ736065

Field Verification (4 fields)

3 cross-verified · 1 single-source

Is PublishedManual· 100%✓
Birth yearArtsy· 85%✓
NationalityArtsy· 85%✓
BiographyWikidata· 92%

Source Registry (1)

Wikidatahttps://www.wikidata.org/wiki/Q736065
Tier 1 · Institutional40%

About

Why this artist matters now

No biography available for Francesco Solimena yet.

Graph relationships

Taste overlap and adjacency

Movement

Baroque

Medium

Drawing

Related Artists

12 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (31)

Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant

1731 · Oil on canvas

23 1/4 x 18 1/4 in. (59.1 x 46.4 cm)

The Metropolitan Museum of Art

WattsOS

Diego Pignatelli d'Aragona (1687–1750) and an Enslaved African Servant

1731 · Oil on canvas

23 1/4 x 18 1/4 in. (59.1 x 46.4 cm)

The Metropolitan Museum of Art

WattsOS

The Prophetess Deborah Ordering Barak to Take Arms against Sisera

1728 · Brush and black ink, brush and gray wash, over black chalk (recto); small black chalk sketch of a nude male figure (verso)

14-15/16 x 11-15/16 in. (37.9 x 30.3 cm)

The Metropolitan Museum of Art

Seated Allegorical Female Figure

1700 · Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper

30.3 × 22.9 cm (11 15/16 × 9 1/16 in.)

Art Institute of Chicago

Adam and Eve in Paradise

1695 · Oil on canvas

128.2 × 101 cm (50 1/2 × 39 3/4 in.)

Art Institute of Chicago

Portrait of a Girl

1695 · Oil on canvas

56.3 × 43.2 cm (22 3/16 × 17 in.)

Art Institute of Chicago

Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples

1690 · Pen and brown ink, gray, green, and rose washes over graphite

The Metropolitan Museum of Art

Jacopo Butera

1690 · Oil on canvas

117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)

Art Institute of Chicago

WattsOS

Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples, 1690

1690 · Pen and brown ink, gray, green, and rose washes over graphite

The Metropolitan Museum of Art

WattsOS

The Birth of the Virgin

1685 · Oil on canvas

80 1/2 x 67 1/4 in. (204.5 x 170.8 cm)

The Metropolitan Museum of Art

Ruler Receiving Lady

1677 · Pen and brown ink, over black chalk, on cream laid paper, laid down on cream laid paper

30 × 42.6 cm (11 13/16 × 16 13/16 in.)

Art Institute of Chicago

Juno and Aeolus

1677 · Pen and brown ink, and brush and brown wash, with traces of black chalk, on cream laid paper laid, down on cream laid paper

32.8 × 28.3 cm (12 15/16 × 11 3/16 in.)

Art Institute of Chicago

Spandrel Decoration with Seated Allegorical Figures of Hope and Concord

1677 · Pen and brown ink with brush and brown and gray wash, over traces of black chalk, squared in black chalk on ivory laid paper

18.7 × 35.5 cm (7 3/8 × 14 in.)

Art Institute of Chicago

Christ Healing the Lame Man

1677 · Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper

16.6 × 39.2 cm (6 9/16 × 15 7/16 in.)

Art Institute of Chicago

Holy Family with Saints

1677 · Pen and black ink, with brush and brown wash, and black chalk, on ivory laid paper, tipped on brownish-tan wove paper

20.2 × 27.4 cm (8 × 10 13/16 in.)

Art Institute of Chicago

Pope Blessing Nun

1677 · Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper

22.8 × 29 cm (9 × 11 7/16 in.)

Art Institute of Chicago

Profile of Male Head, Crowned with Laurel Leaves

1677 · Red chalk heightened with touches of white chalk, on tan laid paper, laid down on cream laid paper

15.5 × 15.3 cm (6 1/8 × 6 1/16 in.)

Art Institute of Chicago

Conversion of Saint Paul

1677 · Pen and brown ink, with brush and brown and gray wash, over traces of black chalk, on cream laid paper

31.5 × 27.5 cm (12 7/16 × 10 7/8 in.)

Art Institute of Chicago

Zittende vrouwenfiguur

1667 · chalk, paper

height: 112 cm, width: 120 cm

Rijksmuseum

Fragment van een krijtschets

1667 · chalk, paper

height: 112 cm, width: 120 cm

Rijksmuseum

A Seated Nude Man Pointing to the Right

1657 · black chalk on laid paper

sheet: 27.9 x 16.6 cm (11 x 6 9/16 in.)

National Gallery of Art

The Marriage of Bacchus and Ariadne

1657 · black chalk on laid paper

sheet: 18.9 x 26.6 cm (7 7/16 x 10 1/2 in.)

National Gallery of Art

A Nude Man Chained to a Rock

1657 · black chalk on laid paper

sheet: 27.9 x 16.6 cm (11 x 6 9/16 in.)

National Gallery of Art

The Triumph of the Trinity (The Gloria)

1657 · black chalk on laid paper

Overall: 21.6 x 16.8 cm (8 1/2 x 6 5/8 in.) support: 23.4 x 18 cm (9 3/16 x 7 1/16 in.)

National Gallery of Art

View all 31 artworks →

Artwork sources (4)

31 published of 31 catalogued · 22 with image

Art Institute Chicago
14 published14 img
The Met
11 published2 img
Nga
4 published4 img
Rijksmuseum
2 published2 img

Record

Images

Artsy

Art Institute of Chicago

Relationships

Movements1

Baroque

Collections3

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

No exhibitions or timeline entries yet