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Artworks

442 records
Tompkins Matteson
Tompkins Matteson
Charles Loring Elliott
oil on canvas · 1835
Cleveland Museum of Art
Portrait of a Gentleman
Portrait of a Gentleman
Thomas E. Barratt
Watercolor on ivory · 1835
The Metropolitan Museum of Art
Cellarette
Cellarette
Duncan Phyfe and Son
chiefly rosewood veneer with pine and poplar secondary woods · 1835
Cleveland Museum of Art
Pier Table
Pier Table
Duncan Phyfe and Son
Mahogany, marble, glass · 1835
The Metropolitan Museum of Art
Sideboard
Sideboard
Duncan Phyfe and Son
chiefly rosewood veneer with pine and poplar secondary woods · 1835
Cleveland Museum of Art
Secrétaire à abattant
Secrétaire à abattant
Duncan Phyfe and Son
Mahogany, mahogany veneer, yellow poplar, white pine, gilded brass, mirrored plate glass, marble, ivory · 1835
The Metropolitan Museum of Art
Sideboard and Cellarette
Sideboard and Cellarette
Duncan Phyfe and Son
chiefly rosewood veneer with pine and poplar secondary woods · 1835
Cleveland Museum of Art
Neo-Rococo Coffee Pot
Neo-Rococo Coffee Pot
Samuel Kirk
silver and ivory · 1835
Cleveland Museum of Art
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Sir Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago
John Henry Adam
John Henry Adam
Anson Dickinson
Watercolor on ivory · 1835
The Metropolitan Museum of Art
The Return from the Continent, or the Family Puzzled
The Return from the Continent, or the Family Puzzled
John Phillip
Etching · 1835
The Metropolitan Museum of Art
Henry Larcom Abbot
Henry Larcom Abbot
Washington Blanchard
Watercolor on ivory · 1835
The Metropolitan Museum of Art
Rotsblokken en dennen in het hooggebergte
Rotsblokken en dennen in het hooggebergte
Ludwig Voltz
paper, pencil · 1835
Rijksmuseum
Algae
Algae
Richard Jones
Salted paper photographic drawing · 1835
Cleveland Museum of Art
Meisje steunend op een kruk
Meisje steunend op een kruk
Richard Burnier
paper · 1835
Rijksmuseum
Our Butcher
Our Butcher
William John Leech
Watercolor and pen and brown ink, with graphite, on cream wove paper · 1835
Art Institute of Chicago
The Burning of the Houses of Lords and Commons, 16 October 1834
The Burning of the Houses of Lords and Commons, 16 October 1834
Joseph Mallord William Turner
oil on canvas · 1835
Cleveland Museum of Art
The Fort of L'Esseillon, Val de la Maurienne, France
The Fort of L'Esseillon, Val de la Maurienne, France
Joseph Mallord William Turner
Watercolor · 1835
The Metropolitan Museum of Art
James William Wallack
James William Wallack
Charles Leslie
Oil on canvas · 1835
Art Institute of Chicago
A Useful and Modern Work on Chairs, in Twelve Plates, Containing Forty-Two Designs
A Useful and Modern Work on Chairs, in Twelve Plates, Containing Forty-Two Designs
Henry Wood
Illustrations: : lithographs, hand-colored · 1835
The Metropolitan Museum of Art
The Palazzo dei Priori, Volterra
The Palazzo dei Priori, Volterra
David Roberts
Black graphite, heightened with white on blue paper · 1835
The Metropolitan Museum of Art
Our Butcher
Our Butcher
John Leech
Watercolor and pen and brown ink, with graphite, on cream wove paper · 1835
Art Institute of Chicago
L'Endymien
L'Endymien
Jean Louis Ernest Meissonier
Watercolor, with touches of white gouache, on cream wove paper, laid down on rounded shaped cream wove paper, laid down on commercially prepared gray wood pulp board · 1835
Art Institute of Chicago
Drie kunstenaars in een zeventiende-eeuws interieur
Drie kunstenaars in een zeventiende-eeuws interieur
Jean Louis Ernest Meissonier
paper, pencil · 1835
Rijksmuseum
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