Database / Artworks
Artworks
Hagar en Ismaël in de wildernis
Nicolaas Verkolje
Japanese paper · 1695
Rijksmuseum
Morning (Le Matin)
Claude Simpol
Engraving · 1695
The Metropolitan Museum of Art
July: Amusements on the Water, (Juillet : les Divertissements sur l’eau)
Claude Simpol
Black chalk, pen and black and brown ink, brush and gray wash, heightened with white gouache · 1695
The Metropolitan Museum of Art
Table or bracket clock
Joseph Windmills, British
Walnut, walnut veneer, gilt bronze · 1695
The Metropolitan Museum of Art
Varkens en ezels onder bomen
Jan van Gool
chalk, paper · 1695
Rijksmuseum
Plate 2: a hunter aiming with his gun, kneeling next to a large rock at right, a male figure with three chamois on a rock at left, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Joachim Franz Beich
Etching; second state of three · 1695
The Metropolitan Museum of Art
Plate 3: two goats on a lakeshore, two male figures and a dog at right, another peasant approaching with a mule at left in the background, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Joachim Franz Beich
Etching; second state of three · 1695
The Metropolitan Museum of Art
Plate 1: a peasant checking the hoof of his mule by a stream, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Joachim Franz Beich
Etching · 1695
The Metropolitan Museum of Art
Plate 5: female figure on horseback and a male figure with a dog standing in a stream, pointing to a waterfall at left in the background, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Joachim Franz Beich
Etching · 1695
The Metropolitan Museum of Art
Plate 4: two fishermen on the bank of a stream at right, a waterfall at center, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Joachim Franz Beich
Etching; second or third state of three · 1695
The Metropolitan Museum of Art
Plate 3: a shepherd seated on a hill, a cow and two sheep at left, and a town in right background, from 'Landscapes in the manner of Gaspar Dughet'
Joachim Franz Beich
Etching; second state of two · 1695
The Metropolitan Museum of Art
River Landscape, with a Tower in the Distance
Abraham Jansz. Begeyn
brush on chalk, paper · 1695
Rijksmuseum
Mountains after Rain
Wang Hui
Folding fan mounted as an album leaf; ink and color on paper · 1695
The Metropolitan Museum of Art
Mountains after Rain
Wang Hui
Folding fan mounted as an album leaf; ink and color on paper · 1695
The Metropolitan Museum of Art
La Bonne Aventure (The Fortune Teller)
Jean Baptiste Joseph Pater
Oil on panel · 1695
Art Institute of Chicago
Woman Lighting a Rocket, also called Peace Gets Me Going, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Cornelis Dusart
Mezzotint in black on ivory laid paper · 1695
Art Institute of Chicago
Hurdy-Gurdy Player
Cornelis Dusart
Pen and black ink, with black chalk and touches of black crayon, on cream Japanese paper · 1695
Art Institute of Chicago
La Ventouse
Cornelis Dusart
engraving · 1695
Cleveland Museum of Art
Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Cornelis Dusart
Mezzotint in black on ivory laid paper · 1695
Art Institute of Chicago
The Actor Nakamura Denkuro I
Torii Kiyonobu
Woodblock print; hosoban, sumizuri-e · 1695
Art Institute of Chicago
The Actor Hanaoka Miyako
Torii Kiyonobu
Hand-colored woodblock print; hosoban, tan-e · 1695
Art Institute of Chicago
Mountains after Rain
Xiao Hui Wang
Folding fan mounted as an album leaf; ink and color on paper · 1695
The Metropolitan Museum of Art
Circe Punishing Glaucus by transforming Scylla into a Monster
Eglon van der Neer
canvas, oil paint (paint) · 1695
Rijksmuseum
The Parable of the Mote and the Beam (Matthew 7:3)
Ottmar Elliger
Pen and black ink, brush and gray wash, over red chalk; incised for transfer; framing line in pen and brown ink · 1695
The Metropolitan Museum of Art