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Artworks

37 records
Plate 4: equestrian statue of Caligula, seen three-quarters to the left, wearing a winged helmet and holding double-headed arrows, a military scene in the background, from 'Roman Emperors on Horseback'
Plate 4: equestrian statue of Caligula, seen three-quarters to the left, wearing a winged helmet and holding double-headed arrows, a military scene in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert
Engraving, squared in graphite · 1582
The Metropolitan Museum of Art
Kruisiging van Christus (linker deel)
Kruisiging van Christus (linker deel)
Aegidius Sadeler II
engraving on paper · 1582
Rijksmuseum
The Physician Considered as God, plate one from Allegories of the Medical Profession.
The Physician Considered as God, plate one from Allegories of the Medical Profession.
Hendrick Goltzius
Engraving on paper · 1582
Art Institute of Chicago
Mystic Marriage of St. Catherine
Mystic Marriage of St. Catherine
Vespasiano Strada, Italian
Etching · 1582
The Metropolitan Museum of Art
Kruisiging van Christus (linker deel)
Kruisiging van Christus (linker deel)
Aegidius Sadeler, II
engraving on paper · 1582
Rijksmuseum
A Landscape Near Pecchio
A Landscape Near Pecchio
Remigio Cantagallina
pen and brown ink over faint traces of graphite, within a border line by the artist, on laid paper · 1582
National Gallery of Art
A Landscape with a Domed Building
A Landscape with a Domed Building
Remigio Cantagallina
pen and brown ink on laid paper · 1582
National Gallery of Art
Two Studies of a Man
Two Studies of a Man
Remigio Cantagallina
pen and brown ink with brown wash over black chalk on laid paper · 1582
National Gallery of Art
Saint Ursula
Saint Ursula
Bernardo Strozzi
red chalk on beige oatmeal paper · 1582
National Gallery of Art
Philip Galle
Philip Galle
Hendrik Goltzius
engraving on laid paper · 1582
National Gallery of Art
Hans Felbbier
Hans Felbbier
Hendrik Goltzius
engraving on laid paper · 1582
National Gallery of Art
The Fair at Impruneta
The Fair at Impruneta
Remigio Cantagallina
pen and brown ink with brown wash over black chalk, squared in red chalk · 1582
National Gallery of Art
Leven, passie en wederopstanding van Christus
Leven, passie en wederopstanding van Christus
Heinrich Ulrich
engraving on paper · 1582
Rijksmuseum
Visitatie
Visitatie
Heinrich Ulrich
engraving on paper · 1582
Rijksmuseum
Christus tussen de schriftgeleerden in de tempel
Christus tussen de schriftgeleerden in de tempel
Heinrich Ulrich
engraving on paper · 1582
Rijksmuseum
Vita, passio et resurrectio Jesu Christi
Vita, passio et resurrectio Jesu Christi
Heinrich Ulrich
engraving on paper · 1582
Rijksmuseum
Elements from a Garniture Made for Christian I of Saxony (1560–1591)
Elements from a Garniture Made for Christian I of Saxony (1560–1591)
Anton Peffenhauser
Steel, gold, leather, brass · 1582
The Metropolitan Museum of Art
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Dunn & Co.
pen on parchment (animal material), ink · 1582
Rijksmuseum
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Dunn & Co.
pen on parchment (animal material), ink · 1582
Rijksmuseum
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Bernard Weatherill
pen on parchment (animal material), ink · 1582
Rijksmuseum
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Portretten van Willem I en Louise de Coligny, prins en prinses van Oranje-Nassau
Bernard Weatherill
pen on parchment (animal material), ink · 1582
Rijksmuseum
Juno Appearing to Sea Gods
Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)
Niccolò Circignani, (Pomarancio)
Pen and brown ink, with brush and pale brown wash, with black chalk (recto) and black chalk (verso), on ivory laid paper · 1582
Art Institute of Chicago
A Pike-Man Turned to Left
A Pike-Man Turned to Left
Hendrick Goltzius
Engraving on ivory laid paper · 1582
Art Institute of Chicago
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