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Artworks

Title Page: Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect. Part Two, from Some Views of Triumphal Arches and other Monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Temple of Pola in Istria, plate 21 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Tomb of the Scipios, plate 18 from Some Views of Triumphal Arches and other arches
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, plate 19 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

The Arch at Rimini built by Augustus, plate 17 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago
![Tomb of Caecilia Metella called Capo di Bove [Ox Head], plate twenty from Some Views of Triumphal Arches and other monuments](/api/images/artworks/aic/131481.jpg)
Tomb of Caecilia Metella called Capo di Bove [Ox Head], plate twenty from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Ampitheater of Verona, plate 25 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Arch of Pola in Istria near the Gate, plate 24 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Temple of Clitumnus between Foligno and Spoleto, plate 26 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Ampitheater of Pola in Istria near the sea, plate 23 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views of Triumphal Arches and other Monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Tomb of the three Curiatii brothers in Albano, plate 27 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Arch of Galienus. I. Facade of the Church of S. Vito, plate 29 from Some Views of Triumphal Arches and other monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Sepolcro delle tre fratelli Curiati in Albano (Tomb of the Three Curiatii Brothers in Albano), from the Antichità Romane de' Tempi della Repubblica
Giovanni Battista Piranesi
Etching and engraving on off-white laid paper · 1748
Art Institute of Chicago
![1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments](https://www.artic.edu/iiif/2/2e3af249-fec8-e6a8-3fd8-455c4e4bb261/full/843,/0/default.jpg)
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments
Giovanni Battista Piranesi
Etching on ivory laid paper · 1748
Art Institute of Chicago

Heuvellandschap met reizigers en rustende herder
Major
etching on paper · 1748
Rijksmuseum

Study of a Triton
François Boucher
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
View of Dresden
Bernardo Bellotto
etching · 1748
Cleveland Museum of Art
Plantae et papiliones rariores: No. 7
Georg Dionysius Ehret
engraving, hand-colored · 1748
Cleveland Museum of Art
Plantae et Papiliones rariores: Martynia
Georg Dionysius Ehret
engraving, hand-colored · 1748
Cleveland Museum of Art

Rest on the Flight into Egypt
Anton Raphael Mengs
Red chalk, graphite; squared in graphite · 1748
The Metropolitan Museum of Art