Database / Artworks
Artworks
Landscape
Christian Wilhelm Ernst Dietrich
Etching on antique laid paper · 1732
Art Institute of Chicago
Plate six, from A Harlot's Progress
William Hogarth
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Plate four, from A Harlot's Progress
William Hogarth
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Plate five, from A Harlot's Progress
William Hogarth
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Plate three, from A Harlot's Progress
William Hogarth
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Panel
Courtois
Silk and silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts, ground weft floats and secondary binding warps tying some self-patterning ground wefts in a plain interlacing; two loom widths joined · 1732
Art Institute of Chicago
Livres de principes de dessein
Gilles Demarteau
paper · 1732
Rijksmuseum
Staande vrouw met waaier in hand
Gilles Demarteau
crayon manner on paper · 1732
Rijksmuseum
Zuidelijk landschap met brug en huizen bij rivier
Gilles Demarteau
etching on paper · 1732
Rijksmuseum
Venus en Amor in ovaal
Gilles Demarteau
paper · 1732
Rijksmuseum
Panel
Guillaume Courtois
Silk, plain weave with supplementary patterning warps, supplementary facing wefts and brocading wefts, and self-patterned by two-color complementary ground wefts; two fragments pieced · 1732
Art Institute of Chicago
Plates four, five, and six from A Harlot's Progress
William Hogarth
Three etchings from three plates, two in red ink and one in olive green ink, on cream wove paper, laid down on off-white laid paper · 1732
Art Institute of Chicago
Panel
Courtois
Silk, plain weave with supplementary patterning warps, supplementary facing wefts and brocading wefts, and self-patterned by two-color complementary ground wefts; two fragments pieced · 1732
Art Institute of Chicago
Ballad Singer at a Country Fair
Christian Wilhelm Ernst Dietrich
Etching printed in black, on paper · 1732
Art Institute of Chicago
Queen Elizabeth I
George Vertue
Engraving in black on ivory laid paper · 1732
Art Institute of Chicago
Secretary Cabinet
John Kirkhoffer
Walnut, holly, oak, pine, gesso, gilding, mirror glass, brass, and iron · 1732
Art Institute of Chicago
Plate one, from A Harlot's Progress
William Hogarth
Copperplate · 1732
Art Institute of Chicago
A Midnight Modern Conversation
William Hogarth
Etching and engraving selectively printed in black and red on ivory laid paper · 1732
Art Institute of Chicago
Plate from the Swan Service
Johann Joachim Kändler
porcelain · 1732
Cleveland Museum of Art
Figural Group: Musicians
Johann Joachim Kändler
porcelain · 1732
Cleveland Museum of Art
Amor en Psyche
Adam Friedrich Oeser
etching on paper · 1732
Rijksmuseum