Database / Artworks
Artworks
Title page of a book
Giuseppe Barberi, Italian
graphic design, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1796
Cooper Hewitt, Smithsonian Design Museum
Elevation of a church
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1796
Cooper Hewitt, Smithsonian Design Museum
Edward Shippen
Gilbert Stuart
oil on canvas · 1796
National Gallery of Art
The Animal Laocöon
Johann Heinrich Wilhelm Tischbein
etching on wove paper · 1796
National Gallery of Art
Woman in a Hammock
Jean-Baptiste Camille Corot
graphite on wove paper · 1796
National Gallery of Art
A Nude Reclining in a Landscape
Jean-Baptiste Camille Corot
graphite on wove paper · 1796
National Gallery of Art
![Brujas à volar (Witches Preparing to Fly) [verso]](https://api.nga.gov/iiif/3121e636-67b9-4000-a1e4-12707aac4f06/full/!800,800/0/default.jpg)
Brujas à volar (Witches Preparing to Fly) [verso]
Francisco Goya
brush and black ink and gray wash on laid paper · 1796
National Gallery of Art
![Mascaras crueles (Cruel Masks) [recto]](https://api.nga.gov/iiif/cadd3bec-0be0-48fd-b9c6-3c69b19568ac/full/!800,800/0/default.jpg)
Mascaras crueles (Cruel Masks) [recto]
Francisco Goya
brush and black ink and gray wash with scraping on laid paper · 1796
National Gallery of Art
The Crucifixion
Benjamin West
pen and brown and black ink with blue, black, and red chalk on laid paper · 1796
National Gallery of Art
Phrosine and Melidore
Pierre Paul Prud'hon
etching, stipple, roulette, and engraving on wove paper · 1796
National Gallery of Art
![Designs for a Monument to Sir William Jones (?) [recto and verso]](https://api.nga.gov/iiif/8ba2d2b1-07c6-45d6-9418-8df66273ac7b/full/!800,800/0/default.jpg)
Designs for a Monument to Sir William Jones (?) [recto and verso]
John Flaxman
graphite; verso: graphite and pen and gray ink over graphite · 1796
National Gallery of Art
Masonic Certificate
Paul Revere
engraving on wove paper, printed by Herbert Pasternack in 1954 · 1796
National Gallery of Art
Portrait of a Man
Jean-Auguste-Dominique Ingres
graphite on parchment, with black ink and green watercolor in a decorative border · 1796
National Gallery of Art
![The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]](https://api.nga.gov/iiif/503d8aad-69f1-4b47-b675-922ebabfd18a/full/!800,800/0/default.jpg)
The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]
William Blake
relief etching, color-printed · 1796
National Gallery of Art
First Book of Urizen pl. 11
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
The Marriage of Heaven and Hell pl. 16
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
First Book of Urizen pl. 10
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
First Book of Urizen pl. 6
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
First Book of Urizen pl. 17
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
The Book of Thel pl. 6
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
First Book of Urizen pl. 21
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
First Book of Urizen pl. 15
William Blake
Etching with paint, watercolour and ink on paper · 1796
Tate
![[title not known]](http://www.tate.org.uk/art/images/work/T/T11/T11672_8.jpg)
[title not known]
British School
Engraving on paper · 1796
Tate
Design for Johnson’s ‘History of Rasselas’: Studies of Standing Figures and Similar Oriental Subjects. Verso: Sketches
Thomas Stothard
Graphite and ink on paper. Verso: graphite and ink on paper · 1796
Tate