Database / Artworks
Artworks
April, from Twelve Months of Flowers
Henry Fletcher
Engraving in black ink with opaque and translucent watercolor on cream laid paper · 1730
Art Institute of Chicago
July, from Twelve Months of Flowers
Henry Fletcher
Engraving in black ink with opaque and translucent watercolor on cream laid paper · 1730
Art Institute of Chicago
June, from Twelve Months of Flowers
Henry Fletcher
Engraving in black ink with opaque and translucent watercolor on cream laid paper · 1730
Art Institute of Chicago
August, from Twelve Months of Flowers
Henry Fletcher
Engraving in black ink with opaque and translucent watercolor on cream laid paper · 1730
Art Institute of Chicago
Twelve Months of Flowers: October
Henry Fletcher
engraving, hand-colored · 1730
Cleveland Museum of Art
Twelve Months of Flowers: September
Henry Fletcher
engraving, hand-colored · 1730
Cleveland Museum of Art
Library table
Daniel William Kent
Mahogany; gilt-brass · 1730
The Metropolitan Museum of Art
Slab or Side Table
Daniel William Kent
Painted pine with original Sienna marble top; carved with dolphins, shellwork, and scrolls · 1730
Art Institute of Chicago
Sultan Mahmud I
Jean Baptiste Vanmour
canvas, oil paint (paint) · 1730
Rijksmuseum
Tall Clock
Henry Hill
Walnut, tulip poplar · 1730
The Metropolitan Museum of Art
Design for a Stage Set: Interior of a Palace with Arcades
Natali
pen and brown ink and brush and gray wash over graphite(?) · 1730
Cleveland Museum of Art
Tankard
Christian Friedrich Gille
Pewter · 1730
The Metropolitan Museum of Art
Left Half Design for an Architectural Project
Mauro Antonio Tesi
Pen and brown ink, brush and brown wash · 1730
The Metropolitan Museum of Art
Design for an Altar Erected for the Holy Week
Mauro Antonio Tesi
Pen and brown ink, brush and brown wash · 1730
The Metropolitan Museum of Art
Façade and Ruins
Mauro Antonio Tesi
Pen and brown ink, brush and gray wash · 1730
The Metropolitan Museum of Art
Design for the Left Half of an Altar
Mauro Antonio Tesi
Pen and deep brown ink, brush and brown wash · 1730
The Metropolitan Museum of Art
One Quarter Design for a Painted Ceiling
Mauro Antonio Tesi
Pen and brown ink, brush and gray wash · 1730
The Metropolitan Museum of Art
Card table (from a large set)
Giles Grendey
Lacquered and gilded beech; lined with felt · 1730
The Metropolitan Museum of Art
Bureau Secretary
Giles Grendey
Oak, pine, walnut, paint, gilding, silvering, gesso, varnish, mirror glass, leather, brass, and iron · 1730
Art Institute of Chicago
Chair
Giles Grendey
Beech, paint, gilding, varnish, and rattan · 1730
Art Institute of Chicago
Side chair
Giles Grendey
Lacquered and gilded beech; caning · 1730
The Metropolitan Museum of Art
Design for an Altar Erected for the Holy Week
Mauro Antonio Tesi
Pen and brown ink, brush and brown wash · 1730
The Metropolitan Museum of Art
Design for the Left Half of an Altar
Mauro Antonio Tesi
Pen and deep brown ink, brush and brown wash · 1730
The Metropolitan Museum of Art
Façade and Ruins
Mauro Antonio Tesi
Pen and brown ink, brush and gray wash · 1730
The Metropolitan Museum of Art