Database / Artworks

Artworks

108 records
Portrait of Anne Fernely. Wife of Sir Thomas Gresham
Portrait of Anne Fernely. Wife of Sir Thomas Gresham
Anthonis Mor
canvas, oil paint (paint) · 1560
Rijksmuseum
Portrait of Sir Thomas Gresham (1519 - 1579) Merchant and financial agent of the English crown in the Netherlands, founder of the Royal Exchange and of Gresham college, London
Portrait of Sir Thomas Gresham (1519 - 1579) Merchant and financial agent of the English crown in the Netherlands, founder of the Royal Exchange and of Gresham college, London
Anthonis Mor
panel, oil paint (paint) · 1560
Rijksmuseum
The Finding of Moses
The Finding of Moses
Tintoretto
Oil on canvas · 1560
The Metropolitan Museum of Art
Angel from the Annunciation to the Virgin
Angel from the Annunciation to the Virgin
Tintoretto
canvas, oil paint (paint) · 1560
Rijksmuseum
The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left.
The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left.
Jacopo da Empoli
Black chalk, small traces of white chalk highlights, on ochre brown prepared paper; some unrelated scribbles and sketches in red chalk · 1560
The Metropolitan Museum of Art
Adoration of the Shepherds
Adoration of the Shepherds
Joachim Beuckelaer
pen and brown ink, gray wash on brown paper, squared in red chalk · 1560
The Metropolitan Museum of Art
The Rabbit Hunt
The Rabbit Hunt
Pieter Bruegel, the elder
Etching · 1560
The Metropolitan Museum of Art
Geseling van Christus
Geseling van Christus
Denys Calvaert
brush on chalk, ink, paper · 1560
Rijksmuseum
Cupid Drawing His Bow
Cupid Drawing His Bow
Federico Barocci
black chalk with pastel (stumped in places), heightened with white chalk, squared with black chalk; framing lines in graphite · 1560
Cleveland Museum of Art
Group of Figures (recto) Fragment of a Female Head (verso)
Group of Figures (recto) Fragment of a Female Head (verso)
Niccolò Martinelli, called il Trometta, Italian
Pen and brown ink and brush and brown wash, with black chalk and touches of graphite, heightened with lead white (partially oxidized) (verso), Red and brown and black and white chalk, with graphite (recto) on blue laid paper · 1560
Art Institute of Chicago
Portrait of a Lady
Portrait of a Lady
Giovanni Antonio Fasolo
Oil on canvas · 1560
Art Institute of Chicago
Portrait of a Man
Portrait of a Man
Anthonis Mor
Oil on panel · 1560
Art Institute of Chicago
Christ Child: Study for the Madonna di San Giovanni
Christ Child: Study for the Madonna di San Giovanni
Federico Barocci
Black and red chalk, with pastel and stumping, on greenish-blue laid paper · 1560
Art Institute of Chicago
Castle with Lift-Bridge, from Master of the Small Landscape Series
Castle with Lift-Bridge, from Master of the Small Landscape Series
Johannes van Doetecum
Engraving on ivory laid paper · 1560
Art Institute of Chicago
Farms, Ploughed Field in the Foreground, from Master of the Small Landscape Series
Farms, Ploughed Field in the Foreground, from Master of the Small Landscape Series
Johannes van Doetecum
Engraving on ivory laid paper · 1560
Art Institute of Chicago
Road Leading to a Stable and a Barn, from Master of the Small Landscape Series
Road Leading to a Stable and a Barn, from Master of the Small Landscape Series
Johannes van Doetecum
Engraving on ivory laid paper · 1560
Art Institute of Chicago
Couple Resting on Trunk in the Foreground, from Master of the Small Landscape Series
Couple Resting on Trunk in the Foreground, from Master of the Small Landscape Series
Johannes van Doetecum
Engraving on ivory laid paper · 1560
Art Institute of Chicago
Perspective view of a street
Perspective view of a street
Johannes van Doetecum
Engraving on ivory laid paper · 1560
Art Institute of Chicago
Group of Figures (recto) Fragment of a Female Head (verso)
Group of Figures (recto) Fragment of a Female Head (verso)
Niccolò Martinelli
Pen and brown ink and brush and brown wash, with black chalk and touches of graphite, heightened with lead white (partially oxidized) (verso), Red and brown and black and white chalk, with graphite (recto) on blue laid paper · 1560
Art Institute of Chicago
Virgin and Child with Saints (recto); Study of Arm (verso)
Virgin and Child with Saints (recto); Study of Arm (verso)
Bartolomeo Ramenghi, the elder
Pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk · 1560
Art Institute of Chicago
Jupiter and Callisto
Jupiter and Callisto
Domenico Vito
Engraving in black on ivory laid paper · 1560
Art Institute of Chicago
Fishermen Catching a Sea Monster
Fishermen Catching a Sea Monster
Adamo Scultori
Engraving in black on ivory laid paper · 1560
Art Institute of Chicago
Armed Four-Master Sailing Towards a Port, from The Sailing Vessels
Armed Four-Master Sailing Towards a Port, from The Sailing Vessels
Franz Huys
Engraving in black on ivory laid paper · 1560
Art Institute of Chicago
Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, from The Sailing Vessels
Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, from The Sailing Vessels
Franz Huys
Engraving in black on ivory laid paper · 1560
Art Institute of Chicago
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