Database / Artworks
Artworks
Visiting (Kayoi), from the series "Floating World Versions of the Seven Komachi (Ukiyo Nana Komachi)"
Torii Kiyonaga
Color woodblock print; chuban · 1775
Art Institute of Chicago
Onoe Matsusuke I as Ebisu, from The Stand-In Seven Gods of Good Fortune
Katsukawa Shunshō
color woodblock print · 1775
Cleveland Museum of Art
Ichimura Uzaemon IX as Shingen in “A String of Prayer Beads Shaken at a Ribbon of Waterfall”
Katsukawa Shunshō
color woodblock print · 1775
Cleveland Museum of Art
Ichikawa Danjuro V as a Traveller Beside a Clump of Iris
Katsukawa Shunshō
color woodblock print · 1775
Cleveland Museum of Art
Man's Jifu (Semiformal Court Robe)
Manchu
Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775
Art Institute of Chicago
Book: Of the Nature of the Gods
Cicero
Paper · 1775
The Metropolitan Museum of Art
Brisé fan with depiction of allegorical figure of Music
Francesco Bartolozzi
Pierced, gilded, and painted ivory; painted paper; printed and painted silk ribbon; glass · 1775
The Metropolitan Museum of Art
Portrait of a Woman
Maximilien Villers
watercolor on ivory in a gilt metal frame · 1775
Cleveland Museum of Art
Writing table
David Roentgen
rosewood (wood), wood (plant material), bronze (metal), rosewood (wood), oak (wood) · 1775
Rijksmuseum
Game table
David Roentgen
Oak and walnut, veneered with mahogany, maple, holly (the last two partially stained); iron, steel, brass, gilt bronze; felt and partially tooled and gilded leather · 1775
The Metropolitan Museum of Art
Sir Joseph Banks
Anne Seymour Damer
Wax on glass · 1775
Art Institute of Chicago
Portrait of James Grant
George Engleheart
Watercolor on ivory · 1775
Art Institute of Chicago
Portrait of Miss Braddon
George Engleheart
Watercolor on ivory · 1775
Art Institute of Chicago
Self-Portrait
John Flaxman
Red chalk on cream laid paper · 1775
Art Institute of Chicago
Polyphemus Begging Ulysses for More Wine
John Flaxman
Pen and black ink, over graphite, on cream wove paper, laid down on ivory wove paper · 1775
Art Institute of Chicago
Athena and the Winds
John Flaxman
Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper · 1775
Art Institute of Chicago
Hector Chiding Paris
John Flaxman
Pen and black ink, over traces of graphite, on ivory laid paper · 1775
Art Institute of Chicago
Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne
John Flaxman
Pen and black ink, brush and gray wash, on gray paper · 1775
The Metropolitan Museum of Art
Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman
Pen and black ink, brush and gray wash, graphite · 1775
The Metropolitan Museum of Art
The Council of the Gods
John Flaxman
Pen and gray ink, over graphite, on cream wove paper, laid down on ivory wove paper · 1775
Art Institute of Chicago
Minerva and Achilles
John Flaxman
Pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper · 1775
Art Institute of Chicago
The Four Markets: The Fruit Market
Frans Snyders
mezzotint · 1775
Cleveland Museum of Art
Creamer
Peter Young
Pewter · 1775
The Metropolitan Museum of Art
Tankard
Peter Young
Pewter · 1775
The Metropolitan Museum of Art