Database / Artworks
Artworks
Vulcano forging the Thunderbolts of Jove
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 57: Study after Porta di Saragossa in Bologna; Verso, Architectural Details
Felice Giani, Italian
graphic design, drawing — pen and brown ink , brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Memorial Tablets for Severoli Family, Faenza
Felice Giani, Italian
sculpture, drawing — pen and dark brown ink on light brown laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Themistocles
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Studies after Paintings in Ferrara, Rome, Bologna, Mantua after Artists Tibaldi, Raphael, Andrea del Sarto and Polidoro; Verso: Bird Skeleton and Horse's Head
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush with brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Six Scenes; Verso: Five Studies of Horse Heads; Head of Lion
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush with brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush with brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sheets of Studies after Bolognese Monuments
Felice Giani, Italian
architecture, drawing — pen and brown ink, brush and brown wash, black chalk on paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Water Lily
Josiah Wedgwood and Sons
Plate · 1811
Victoria and Albert Museum
Sketchbook Page: Atrium, San Pietro, Bologna and Detail from San Pietro; Detail from S. Michele in Bosco; Verso, Geometrical Studies of Heads
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Four Studies of Works by Perugino and Francia
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and brown wash over black chalk on cream wove paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Leonidas
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Spartan Virtue
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and sepia wash over traces of graphite on laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 57: Study after Michele in Bosco, Bologna; Verso, Architectural Details
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and bistre wash over traces of black chalk on laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Continence of Scipio
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric Designs
Felice Giani, Italian
landscapes, drawing — pen and brown ink, brush and bistre wash over traces of black chalk on off-white wove paper · 1811
Cooper Hewitt, Smithsonian Design Museum
Napoleon, Baptism of the King of Rome
Bertrand Andrieu, French
Bronze, struck · 1811
The Metropolitan Museum of Art
Portrait Busts of Napoleon and Charles
Bertrand Andrieu, French
Bronze · 1811
Art Institute of Chicago
Medal commemorating the birth of the King of Rome (1811–1832)
Bertrand Andrieu, French
Bronze, struck, reddish brown patina · 1811
The Metropolitan Museum of Art