Database / Artworks
Artworks
Three Designs for Candlesticks
Luigi Righetti, Italian
lighting, drawing — pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light blue paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Retrieval of Books from the Tomb of Numa, Sala di Numa Pompilius, Palazzo Milzetti, Faenza
Felice Giani, Italian
interiors, drawing — pen and brown ink, brush and brown wash over black chalk on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for a Reliquary
Luigi Righetti, Italian
furniture, drawing — pen and ink, brush and gray watercolor, graphite on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Ten Octagons with Mythological Figures
Felice Giani, Italian
figures, drawing — pen and brown ink over traces of graphite on cream laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Sampler
Mary Follet
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: plain weave foundation; cross, stem, chain, running, and surface satin stitching · 1802
Cooper Hewitt, Smithsonian Design Museum
Hannah Lemmon Corcoran (Mrs. Thomas Corcoran)
Charles Peale Polk
oil on canvas · 1802
National Gallery of Art
Thomas Corcoran
Charles Peale Polk
oil on canvas · 1802
National Gallery of Art
Orpheus and Eurydice
Gaetano Gandolfi
black and white chalk on tan laid paper · 1802
National Gallery of Art
The Angelic Guards
James Barry
etching and engraving on heavy laid paper · 1802
National Gallery of Art
This is my Beloved Son
Benjamin West
lithograph · 1802
National Gallery of Art
A View of the Pont Neuf, the Mint, etc.: pl.8
Thomas Girtin
retouched etching · 1802
National Gallery of Art
View of the Village of Chaillot from the Pont de la Concorde: pl.17
Thomas Girtin
soft-ground etching retouched with pencil and brown and ochre washes · 1802
National Gallery of Art
View of Pont de la Tournelle and Notre Dame Taken from the Arsnel: pl.11
Thomas Girtin
soft-ground etching retouched with brown and ochre washes · 1802
National Gallery of Art
Resting, Men and Dogs under a Big Tree
William Alfred Delamotte
pen-and-tusche lithograph · 1802
National Gallery of Art
A Woman Sitting by the Window
Henry Fuseli
pen-and-tusche lithograph · 1802
National Gallery of Art
One Tree Hill, Greenwich Park
Thomas Rowlandson
hand-colored etching · 1802
National Gallery of Art
The Lawyers Last Circuit
Thomas Rowlandson
hand-colored etching and aquatint · 1802
National Gallery of Art
Weeping Willow
Jacob Philippe Hackert
Etching on off-white laid paper · 1802
Art Institute of Chicago
An Illustration to Shakespeare’s ‘King John’: Constance and Arthur
Thomas Stothard
Ink, watercolour and gum arabic on paper · 1802
Tate
Divine Justice
James Barry
Etching and line engraving on paper · 1802
Tate
Hedingham Castle, Essex, engraved by J. Roffe
Edward Dayes
Engraving on paper · 1802
Tate
St Augustine’s Gate, Canterbury, Kent, engraved by J. Rawle
Edward Dayes
Engraving on paper · 1802
Tate
St Catherine’s Chapel, Abbotsbury, Dorsetshire, engraved by J. Greig
Edward Dayes
Engraving on paper · 1802
Tate
La Rue St Denis
Thomas Girtin
Watercolour and etching on paper · 1802
Tate