Database / Artworks
Artworks
Hoofd van een samoerai onder kersenbloesem
Katsushika Hokusai
brush on paper · 1799
Rijksmuseum
Portrait of Lieutenant General Daniel Burr
John Smart
watercolor on ivory in a gold frame with glazed hair reverse · 1799
Cleveland Museum of Art
The Superb Lily, from The Temple of Flora
Richard
Color mezzotint, aquatint and etching, inked à la poupée, heightened with hand-colored watercolor on cream wove paper · 1799
Art Institute of Chicago
Three Witches from MacBeth
Henry Bone
Brush and brown wash, with pen and brown ink, over and under graphite, on cream wove paper · 1799
Art Institute of Chicago
David and Goliath
Henry Bone
Brush and brown wash, with graphite, on cream wove paper · 1799
Art Institute of Chicago
Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background
Pierre Audouin
Engraving · 1799
The Metropolitan Museum of Art
Portret van Karl von Rotteck
Carl Ludwig Frommel
engraving on paper · 1799
Rijksmuseum
Grotesque Borders for Halls & Rooms
Thomas Rowlandson
Hand-colored etching and stipple engraving on ivory wove paper · 1799
Art Institute of Chicago
Death of Marcus Curtius
Gaetano Gandolfi
black chalk (stumped in places) and brush and black chalk wash · 1799
Cleveland Museum of Art
Madame Charles Maurice de Talleyrand Périgord (1761–1835)
François Gérard
Oil on canvas · 1799
The Metropolitan Museum of Art
Vase
Wedgwood Factory
black basalt · 1799
Cleveland Museum of Art
Project for a Catafalque for the Funeral Service for Pope Pius VI in Forli
Felice Giani, Italian
religion, drawing — pen and ink, brush and wash on paper · 1799
Cooper Hewitt, Smithsonian Design Museum
Fountain with Atlas and Hercules
Luigi Righetti, Italian
sculpture, drawing — pen and ink, brush and gray, black wash on light blue paper · 1799
Cooper Hewitt, Smithsonian Design Museum
Design for a Chimneypiece
Luigi Righetti, Italian
architecture, interiors, drawing — pen and black ink, brush and watercolor, graphite on paper · 1799
Cooper Hewitt, Smithsonian Design Museum
Waistcoat
Robert et Cie
costume & accessories, waistcoat — medium: silk fronts, linen back technique: printed by engraved copper plate on 7&1 satin foundation · 1799
Cooper Hewitt, Smithsonian Design Museum
Nadie se conoce (Nobody Knows Himself)
Francisco Goya
etching and aquatint on wove paper · 1799
National Gallery of Art
Y aun no se van! (And Still They Don't Go!)
Francisco Goya
etching, aquatint, and engraving with burnishing on laid paper · 1799
National Gallery of Art
Estan Calientes (They Are Hot)
Francisco Goya
etching and aquatint with burnishing on laid paper · 1799
National Gallery of Art
Buen Viage (Bon Voyage)
Francisco Goya
etching, aquatint, and engraving with burnishing on laid paper · 1799
National Gallery of Art
Subir y bajar (To Rise and To Fall)
Francisco Goya
etching and aquatint with burnishing on laid paper · 1799
National Gallery of Art
No hay quien nos desate? (Can't Anyone Untie Us?)
Francisco Goya
etching and aquatint with burnishing on laid paper · 1799
National Gallery of Art
![Studies for a Triumphal Arch Surmounted by Britannia [recto and verso]](https://api.nga.gov/iiif/a66052a7-d6f2-4c0f-9d11-107d2d773fb8/full/!800,800/0/default.jpg)
Studies for a Triumphal Arch Surmounted by Britannia [recto and verso]
John Flaxman
graphite · 1799
National Gallery of Art
The Last Supper
William Blake
tempera on canvas · 1799
National Gallery of Art
Ya van desplumados (There They Go Plucked)
Francisco Goya
etching, burnished aquatint and drypoint on laid paper [proof before letters] · 1799
National Gallery of Art