Database / Artworks
Artworks
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory wove paper · 1728
Art Institute of Chicago
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1728
Art Institute of Chicago
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and gray and brown wash, over traces of graphite, on ivory laid paper, tipped onto cream wove paper · 1728
Art Institute of Chicago
Man op zetel spreekt tegen man leunend op schop
Giuseppe Camerata, II
etching on paper · 1728
Rijksmuseum
Sketches for an Altar with Saint Margaret of Cortona, Saint Sebastian and Saint Roch (recto); Two Sketches for an Altar (verso)
Giovanni Battista Piazzetta
Pen and brown ink, with traces of black chalk and graphite (recto), and pen and brown ink with touches of black chalk (verso), on ivory laid paper · 1728
Art Institute of Chicago
Ceremonies que les Incas Observent en Faisant Chevaliers/les Princes de leur Sang. (from book, Histoire des Yncas...etc.)
Jacob Folkema, Dutch
engraving on paper mounted on paper · 1728
Smithsonian American Art Museum
Peasant with Bag
Carlo Marchionni, Italian
Graphite on brown laid paper · 1728
Cooper Hewitt, Smithsonian Design Museum
Working Peasant
Carlo Marchionni, Italian
Brush and sepia on laid paper · 1728
Cooper Hewitt, Smithsonian Design Museum
Unexecuted Design for the Monument to the First Duke of Marlborough
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper · 1728
Art Institute of Chicago
Warrior Accompanied by Britannia, Minerva, and Fame (recto); Design for the Monument to Nicholas Rowe (verso)
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over red chalk and graphite (recto); pen and brown ink over graphite (verso), on cream laid paper · 1728
Art Institute of Chicago
The Silver Tureen
Jean Siméon Chardin
Oil on canvas · 1728
The Metropolitan Museum of Art