Database / Artworks
Artworks
Two Chimneypiece Designs
Jacques-François Blondel, French
print — etching on laid paper · 1727
Cooper Hewitt, Smithsonian Design Museum
Angelica and Medoro
Giovanni Battista Cipriani
pen and black ink with brown and gray wash over graphite on laid paper; verso, design of four concentric circles surrounding laurel wreath drawn on verso in pen and black ink and graphite · 1727
National Gallery of Art
Landscape with Cattle by a Cottage
Thomas Gainsborough
black and white chalk over softground etching on gray prepared laid paper · 1727
National Gallery of Art
The Holy Family Descending a Path near Shepherds
Giovanni Domenico Tiepolo
etching on laid paper [working proof] · 1727
National Gallery of Art
Old Man with a Helmet
Giovanni Domenico Tiepolo
etching on laid paper · 1727
National Gallery of Art
The Marriage of Angelica and Medoro
Giovanni Domenico Tiepolo
etching on laid paper · 1727
National Gallery of Art
Bearded Head after the Antique
Giovanni Battista Cipriani
gray wash heightened with white on brown wove paper · 1727
National Gallery of Art
![A Turk [recto]](https://api.nga.gov/iiif/9fa9cbcb-22f9-4fbb-ab7a-b54b62c81d73/full/!800,800/0/default.jpg)
A Turk [recto]
Giovanni Battista Cipriani
graphite on laid paper · 1727
National Gallery of Art
![Reclining Woman [verso]](https://api.nga.gov/iiif/fe668b08-7454-46d2-ba74-06efc5d92a00/full/!800,800/0/default.jpg)
Reclining Woman [verso]
Giovanni Battista Cipriani
graphite on laid paper · 1727
National Gallery of Art
Studies of a Classical Figure
Giovanni Battista Cipriani
black chalk heightened with white on light brown prepared paper · 1727
National Gallery of Art
![Figure Studies [verso]](https://api.nga.gov/iiif/e6e3f02c-886c-479e-98fe-964c60516483/full/!800,800/0/default.jpg)
Figure Studies [verso]
Giovanni Battista Cipriani
pen and black ink and graphite on laid paper · 1727
National Gallery of Art
![Figure Studies [recto]](https://api.nga.gov/iiif/a9179dd0-cd65-4d2a-af50-58e52e2e61ab/full/!800,800/0/default.jpg)
Figure Studies [recto]
Giovanni Battista Cipriani
pen and black ink with gray wash on laid paper · 1727
National Gallery of Art
Angelica and Medoro
Giovanni Battista Cipriani
graphite on laid paper · 1727
National Gallery of Art
![Study of Two Putti and a Draped Arm [verso]](https://api.nga.gov/iiif/62f4ef6d-1d58-4454-8d46-1790944cfd55/full/!800,800/0/default.jpg)
Study of Two Putti and a Draped Arm [verso]
Giovanni Battista Cipriani
black chalk on laid paper · 1727
National Gallery of Art
![Mythological Composition with Chronos and Harpies [recto]](https://api.nga.gov/iiif/f5043629-30a3-4867-ae3f-d666d8607192/full/!800,800/0/default.jpg)
Mythological Composition with Chronos and Harpies [recto]
Giovanni Battista Cipriani
red chalk on laid paper · 1727
National Gallery of Art
Saint Jerome in the Desert Listening to the Angels
Giovanni Battista Tiepolo
pen and brown ink with brown wash over black chalk, heightened with thick white gouache; ruled black chalk borders, on laid paper · 1727
National Gallery of Art
The Stoning of Saint Stephen
Giovanni Domenico Tiepolo
etching on laid paper · 1727
National Gallery of Art
Four Saints of the Benedictine Order
Giovanni Domenico Tiepolo
etching · 1727
National Gallery of Art
Creation of the Universe
Giovanni Domenico Tiepolo
pen and gray ink with brown wash on laid paper · 1727
National Gallery of Art
The Brazen Serpent of Moses
Pierre Hubert Subleyras, French
Etching on off-white laid paper · 1727
Art Institute of Chicago
Venus and Cupid
Jean Claude Richard de Saint-Non
Aquatint in brown ink · 1727
The Metropolitan Museum of Art
Panel
Courtois
Silk and silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and plain interlacings of secondary binding warps and some self-patterning ground wefts · 1727
Art Institute of Chicago
Allegorical Ceiling Decoration with Justice, Charity, and Fortitude
Stefano Pozzi
Charcoal with stumping, heightened with white chalk, on blue laid paper · 1727
Art Institute of Chicago
Piazza San Marco
Canaletto
Oil on canvas · 1727
The Metropolitan Museum of Art