Database / Artworks
Artworks
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All
Agostino Carracci
Etching on ivory laid paper · 1599
Art Institute of Chicago
Two Putti with Lamb
Peter Paul Rubens
Black chalk and graphite, heightened with red chalk and traces of white chalk, on ivory laid paper, edge mounted on brown wove paper · 1599
Art Institute of Chicago
A Cavalryman, Sword to Shoulder, Riding to the Right, plate 14 from The Riding School, or Exercise of Cavalry
Zacharias Dolendo
Engraving in black on cream laid paper · 1599
Art Institute of Chicago
Title-Plate, from The Riding School, or Exercise of Cavalry
Zacharias Dolendo
Engraving in black on cream laid paper · 1599
Art Institute of Chicago
A Cavalryman in Full Armour Drawing His Sword, pate 8 from The Riding School, or Exercise of Cavalry
Zacharias Dolendo
Engraving in black on cream laid paper · 1599
Art Institute of Chicago
A Cavalryman Raising his Sword, Riding to the Left, plate 15 from The Riding School, or Exercise of Cavalry
Zacharias Dolendo
Engraving in black on cream laid paper · 1599
Art Institute of Chicago
A Cavalryman Raising a Lance, plate 11 from The Riding School, or Exercise of Cavalry
Zacharias Dolendo
Engraving in black on cream laid paper · 1599
Art Institute of Chicago
Studie voor een dode Christus
Annibale Carracci
paper, chalk · 1599
Rijksmuseum
Studie van een mannelijk naakt
Annibale Carracci
chalk, paper · 1599
Rijksmuseum
Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso)
Annibale Carracci
Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso) · 1599
Art Institute of Chicago
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
De toren Swijgh Utrecht te Amsterdam
David Vinckboons
pen on paper, ink · 1599
Rijksmuseum
The Annunciation to the Shepherds
Jan Saenredam
Engraving on ivory laid paper · 1599
Art Institute of Chicago