Database / Artworks
Artworks
Road Leading to a Mountainous Town
Carlo Marchionni, Italian
Pen and ink on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
The coat of arms of a prelate
Filippo Marchionni, Italian
Graphite, pen and ink, brush and blue-gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a monument
Corrado Giaquinto, Italian
Black chalk, pen and brown ink, brush and wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for an Altar: Elevation, with Trompe l'Oeil Plan Below
Carlo Marchionni, Italian
Pen and brown ink, brush and gray, red wash, graphite on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Covered Porringer
Claude Laubreaux
Pewter · 1750
Cooper Hewitt, Smithsonian Design Museum
Study for Painting, Mount Olympus
Vito D'Anna, Italian
Pen and black ink, brush and gray wash, white gouache on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Sketches for a tablet
Carlo Marchionni, Italian
Pen and black ink on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Knife with Porcelain Handle (One of a Pair)
Ferner Workshop, German, active 1720 - 1765
hard paste porcelain, vitreous enamel, steel, gold · 1750
Cooper Hewitt, Smithsonian Design Museum
Knife with Porcelain Handle (One of a Pair)
Ferner Workshop, German, active 1720 - 1765
hard paste porcelain, vitreous enamel, steel, gold · 1750
Cooper Hewitt, Smithsonian Design Museum
A Dance in the Country
Giovanni Domenico Tiepolo
Oil on canvas · 1750
The Metropolitan Museum of Art
Kannon by a Lotus Pond
Hakuin Ekaku
Hanging scroll; ink and color on paper · 1750
The Metropolitan Museum of Art
Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; cuffs trimmed with gilt-metal-strip-wrapped linen couched with silk; sleeves, neck trim, and cuff edging: silk, warp-float faced 7:1 satin weave; neck edging, cuff trim, and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing with triple elements; lined with silk, 4:1 satin damask weave; cuffs lined with silk, warp-float faced 7:1 satin weave; metal buttons · 1750
Art Institute of Chicago
Pair of Staffs (Edan)
Yoruba
Ivory, iron, and string · 1750
Art Institute of Chicago
The Departure of Jacob
François Boucher
Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper · 1750
Cleveland Museum of Art
Landscape with Small Group of Buildings
Guercino
pen and brown ink · 1750
Cleveland Museum of Art
Seated Male Nude Holding a Staff
Franz Xaver Messerschmidt
Black and white chalk on blue paper · 1750
The Metropolitan Museum of Art
Marco Antonio Zucchi
Antonio Francesco Selvi
Bronze · 1750
The Metropolitan Museum of Art
Zhong Kui Supported by Ghosts
Luo Ping
hanging scroll; ink and light color on paper · 1750
Cleveland Museum of Art
Portret van een man met pet en bontjas.
Joachim Martin Falbe
etching on paper · 1750
Rijksmuseum
Portrait of a Gentleman
Nathaniel Hone
Enamel on copper · 1750
Art Institute of Chicago
Exterior View of the Italian Gate of the Ramparts of the Town of Dresden
Bernardo Bellotto
Etching on ivory laid paper · 1750
Art Institute of Chicago
The Pyramid of Gaius Cestius, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
The Skeletons
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
Zeedonderpad
Johannes le Francq van Berkhey
pen on watercolor (paint), paper, chalk, ink · 1750
Rijksmuseum