Database / Artworks
Artworks
View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
View of the Ponte Salario, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
View of the Flavian Amphitheater, called the Colosseum, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
View of the Port of Ripa Grande, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
View of the Arch of Titus, from Vedute di Roma (Views of Rome)
Giovanni Battista Piranesi
Etching in black on ivory laid paper · 1750
Art Institute of Chicago
Petit Maître (Dandy)
François Boucher, French
Etching on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a monument in a church
Carlo Marchionni, Italian
Graphite, pen and sepia ink, brush and black wash on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
At a Fountain
Jean-Baptiste Lallemand, French
Black and red crayon, pen and Chinese black ink on paper, laid down on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a door case
Filippo Marchionni, Italian
Graphite, pen and bistre ink, brush and gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
View of a Farm
Carlo Marchionni, Italian
Pen and ink on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
The Elevation of a Niche with Statue of a Man
Filippo Marchionni, Italian
Graphite, brush and gray wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Landscape with Rider and Bridge
Carlo Marchionni, Italian
Black chalk, pen and ink, brush and bistre wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Christ and the Adulterous Woman
Francesco Saverio Mergolo, Italian
Brush and gray wash, pen and brown ink, graphite on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Door case and frame of a door
Filippo Marchionni, Italian
Black crayon, pen and ink on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Elevation of a Door Case
Filippo Marchionni, Italian
Black chalk, brush and sepia wash on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Project for a Frame
Filippo Marchionni, Italian
Pen and ink, brush and gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Wooded Landscape
Carlo Marchionni, Italian
Pen and ink on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Landscape with Villa
Carlo Marchionni, Italian
Pen and ink, brush and bistre wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Scene from Ancient History
Giovanni Battista Tiepolo
oil on canvas · 1750
National Gallery of Art
A Boy with a Dog
Marco Alvise Pitteri
Engraving over etching on ivory laid paper · 1750
Art Institute of Chicago
Design for a gateway
Filippo Marchionni, Italian
Graphite, pen and black, brush and wash on paper; verso: black chalk · 1750
Cooper Hewitt, Smithsonian Design Museum
Unfinished Elevation of an Altar
Filippo Marchionni, Italian
Graphite, pen and ink on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Altar with Tabernacle and Two Priests in Conversation
Filippo Marchionni, Italian
Pen and brown ink, brush and gray wash, graphite on white laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for an Incense Boat
Filippo Marchionni, Italian
Pen and ink, brush and wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum