Database / Artworks
Artworks
Scandalized Masks
James Ensor
Black chalk and black Conté crayon, with graphite, on ivory wove paper · 1883
Art Institute of Chicago
Portrait of Miss Maud Franklin
James McNeill Whistler
Pen and brown ink on cream laid paper · 1883
Art Institute of Chicago
Bowl
Tiffany and Company
Silver gilt · 1883
Art Institute of Chicago
Lucie Berard (Child in White)
Pierre-Auguste Renoir
Oil on canvas · 1883
Art Institute of Chicago
Weeping Woman
Vincent van Gogh
Black and white chalk, with brush and stumping, brush and black and gray wash, and traces of graphite, over a brush and brown ink underdrawing on ivory wove paper · 1883
Art Institute of Chicago
Madame Léon Clapisson
Pierre-Auguste Renoir
Oil on canvas · 1883
Art Institute of Chicago
On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)
Pierre-Auguste Renoir
Black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream) · 1883
Art Institute of Chicago
Ten Sites Associated with Ruan Yuan
Jun Wang
Album of ten paintings; ink and color on paper · 1883
The Metropolitan Museum of Art
A Mother II (Eine Mutter II) from Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Etching and aquatint with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
March Days III (Märztage III) from Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Etching and aquatint with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
A Mother I from Dramas, Opus IX
Max Klinger
Etching and aquatint with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
March Days I from Dramas, Opus IX
Max Klinger
Etching and aquatint with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
A Murder (Ein Mord) from Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Etching and aquatint with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
A Mother III (Eine Mutter III) from Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Etching with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
In Flagranti from Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Etching with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
March Days II (Märztage II) from Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Etching and aquatint with chine collé from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
Trees in the Blue Sky
Odilon Redon
Oil over traces of graphite on light-brown wove paper mounted on board · 1883
Museum of Modern Art
Rocks on the Beach
Odilon Redon
Oil on paper mounted on canvas · 1883
Museum of Modern Art
Dramas, Opus IX (Dramen, Opus IX)
Max Klinger
Eight plates from a portfolio of four etchings with chine collé and six etchings and aquatints with chine collé · 1883
Museum of Modern Art
And Man Appeared, Questioning the Earth from Which He Came and Which Draws Him Back, as He Cleared a Way Forward to the Murky Light (Et l'homme parut, interrogeant le sol d'où il sort et qui l'attire, il se fraya la voie vers de sombres clartés)
Odilon Redon
Lithograph with chine appliqué · 1883
Museum of Modern Art
On the Tracks (Auf den Schienen) (plate 8) from the portfolio On Death, Part I, Opus XI (Vom Tode, Erster Teil, Opus XI)
Max Klinger
Etching and aquatint with chine collé · 1883
Museum of Modern Art
My Dream
Rodolphe Bresdin
Etching · 1883
Museum of Modern Art
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops (Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux)
Odilon Redon
Lithograph with chine appliqué · 1883
Museum of Modern Art
Breton Woman (Les Bretonnes)
Émile Bernard
Woodcut, with watercolor additions · 1883
Museum of Modern Art