Database / Artworks
Artworks
Weeping Willow
Jacob Philipp Hackert
Etching on off-white laid paper · 1802
Art Institute of Chicago
Self-Portrait
John Smart
watercolor on ivory in a gold frame · 1802
Cleveland Museum of Art
Henry Hope (1735/36–1811), after Jones
Henry Bone
Enamel · 1802
The Metropolitan Museum of Art
The Brazen Image Erected on a Pedestal Wrought by Himself
William Charles
Hand-colored etching on ivory laid paper · 1802
Art Institute of Chicago
The Latin school on the Singel, Amsterdam
Jacob Smies
canvas, oil paint (paint) · 1802
Rijksmuseum
Portret van Giuseppe Acerbi
Peltro William Tomkins
stipple engraving on paper, chalk · 1802
Rijksmuseum
Specimens of Polyautography: Man Seated under an Oak
Cooper, Richard, II
lithograph · 1802
Cleveland Museum of Art
Palace of Justice, Rouen
Frederick Nash
Watercolor and graphite, with charcoal, on cream wove paper, tipped onto cream laid paper · 1802
Art Institute of Chicago
Sheep, Cows, and Herdsman by Uprooted Tree
Frederick Nash
Watercolor over traces of graphite, on cream wove paper, laid down on board · 1802
Art Institute of Chicago
Teacup and saucer
Flight, Barr and Barr
Porcelain · 1802
The Metropolitan Museum of Art
Paul et Virginie
Jean-Baptiste Huet, French
printed, dyed & painted textiles, panel — medium: cotton technique: roller printed on plain weave · 1802
Cooper Hewitt, Smithsonian Design Museum
Le loup et l'agneau
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed on plain weave · 1802
Cooper Hewitt, Smithsonian Design Museum
Textile
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave · 1802
Cooper Hewitt, Smithsonian Design Museum
Achilles Drags the Body of Hector around Walls of Troy, Priam Pleads for the Body of Hector, Ceiling Designs for the Galleria di Achille, Palazzo Milzetti, Faenza, Italy
Felice Giani, Italian
interiors, drawing — pen and brown ink, brush and gray-brown wash over traces of graphite on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Numa Pompilius and Egeria, Sala di Numa Pompilius, Palazzo Milzetti, Faenza
Felice Giani, Italian
interiors, drawing — pen and brown ink, brown wash, over black chalk on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
The Triumph of Venus designed for the bedroom of Palazzo Milzetti, Faenza
Felice Giani, Italian
figures, drawing — pen and ink on paper; wm lines. · 1802
Cooper Hewitt, Smithsonian Design Museum
Three Designs for Candlesticks
Luigi Righetti, Italian
lighting, drawing — pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light blue paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Three Designs for Candlesticks
Luigi Righetti, Italian
lighting, drawing — pen and ink, brush and sepia wash, watercolor, graphite on light blue paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, Faenza
Felice Giani, Italian
interiors, drawing — pen and brown ink, brush and gray-brown wash over graphite on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
The Return of Ulysses to Ithaca, Palazzo Milzetti, Faenza
Felice Giani, Italian
architecture, interiors, drawing — pen and ink, brush and brown wash over traces of pencil. · 1802
Cooper Hewitt, Smithsonian Design Museum
The High Priest Punishes a Vestal Virgin, Sala di Numa Pompilius, Palazzo Milzetti, Faenza
Felice Giani, Italian
interiors, drawing — pen and brown ink, brush and brown wash over black chalk on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Design for a Reliquary
Luigi Righetti, Italian
furniture, drawing — pen and ink, brush and wash, graphite on paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza
Felice Giani, Italian
interiors, drawing — pen and brown ink, brush and gray-brown wash over traces of graphite on white laid paper · 1802
Cooper Hewitt, Smithsonian Design Museum
Fragment
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved copper plate on plain weave · 1802
Cooper Hewitt, Smithsonian Design Museum