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Artworks

106 records
Diana and Endymion
Diana and Endymion
Ciro Ferri (Rome, 1634 – Rome, 1689)
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over black chalk, on tan laid paper, laid down on cream laid paper · 1654
Art Institute of Chicago
Nymph and Satyr
Nymph and Satyr
Ciro Ferri (Rome, 1634 – Rome, 1689)
Black chalk on ivory laid paper · 1654
Art Institute of Chicago
Spandrel with Rape of Orytheia Flanked by Hercules and Omphale
Spandrel with Rape of Orytheia Flanked by Hercules and Omphale
Ciro Ferri (Rome, 1634 – Rome, 1689)
Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper · 1654
Art Institute of Chicago
Gezicht op Le Mont Hulin
Gezicht op Le Mont Hulin
Jan Peeters, I
pen on chalk, ink, paper · 1654
Rijksmuseum
A scallop shell chariot
A scallop shell chariot
William Carter
Etching · 1654
The Metropolitan Museum of Art
Portrait of Thomas Bulwer
Portrait of Thomas Bulwer
Gerard Soest
Oil on canvas · 1654
Art Institute of Chicago
Christ and the Canaanite Woman
Christ and the Canaanite Woman
Giovan Gioseffo dal Sole
Brown and cream oil paint, on a sheet imprinted with a Latin text · 1654
The Metropolitan Museum of Art
Standing Countryman Holding a Staff
Standing Countryman Holding a Staff
Giovan Gioseffo dal Sole
Red chalk · 1654
The Metropolitan Museum of Art
Female Head Upturned
Female Head Upturned
Giovan Gioseffo dal Sole
Black chalk, highlighted with red chalk · 1654
The Metropolitan Museum of Art
Zwijnen bij een hok
Zwijnen bij een hok
Richard Gaywood
etching on paper · 1654
Rijksmuseum
Dieren naar verschillende kunstenaars
Dieren naar verschillende kunstenaars
Richard Gaywood
etching on paper · 1654
Rijksmuseum
Animals after various artists
Animals after various artists
Richard Gaywood
etching on paper · 1654
Rijksmuseum
Gezicht op Le Mont Hulin
Gezicht op Le Mont Hulin
Peeters, Jan, I
pen on chalk, ink, paper · 1654
Rijksmuseum
Head of an Old Woman (so-called portrait of Visscher's mother)
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher
Etching and engraving on ivory laid paper · 1654
Art Institute of Chicago
Portrait of a Lady
Portrait of a Lady
Cornelis Visscher
Black chalk and traces of red chalk, on vellum · 1654
The Metropolitan Museum of Art
Portret van keizer Ferdinand III
Portret van keizer Ferdinand III
Ludwig von Siegen
paper · 1654
Rijksmuseum
Nymph and Satyr
Nymph and Satyr
Ciro Ferri
Black chalk on ivory laid paper · 1654
Art Institute of Chicago
Spandrel with Rape of Orytheia Flanked by Hercules and Omphale
Spandrel with Rape of Orytheia Flanked by Hercules and Omphale
Ciro Ferri
Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper · 1654
Art Institute of Chicago
Moses Tapping the Rock
Moses Tapping the Rock
Ciro Ferri
Black chalk, with brush and brown wash, on tan laid paper, laid down on ivory laid paper · 1654
Art Institute of Chicago
Seated Madonna and Child
Seated Madonna and Child
Ciro Ferri
Black chalk, heightened with touches of white chalk, on gray-brown laid paper, laid down on cream wove paper · 1654
Art Institute of Chicago
Diana and Endymion
Diana and Endymion
Ciro Ferri
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over black chalk, on tan laid paper, laid down on cream laid paper · 1654
Art Institute of Chicago
Seated Madonna and Child
Seated Madonna and Child
Ciro Ferri, Italian
Black chalk, heightened with touches of white chalk, on gray-brown laid paper, laid down on cream wove paper · 1654
Art Institute of Chicago
Spandrel with Rape of Orytheia Flanked by Hercules and Omphale
Spandrel with Rape of Orytheia Flanked by Hercules and Omphale
Ciro Ferri, Italian
Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper · 1654
Art Institute of Chicago
Diana and Endymion
Diana and Endymion
Ciro Ferri, Italian
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over black chalk, on tan laid paper, laid down on cream laid paper · 1654
Art Institute of Chicago
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