Database / Artworks

Artworks

37 records
Philips Galle
Philips Galle
Hendrick Goltzius
Engraving on laid paper · 1582
Art Institute of Chicago
Philips Galle
Philips Galle
Hendrick Goltzius
Counterproof of an engraving on laid paper · 1582
Art Institute of Chicago
Philips Galle  (1537-1612), Pupil of Coornhert from Haarlem, Engraver and Publisher in Antwerp from 1570; The Baptism of the Eunuch in Background Left
Philips Galle (1537-1612), Pupil of Coornhert from Haarlem, Engraver and Publisher in Antwerp from 1570; The Baptism of the Eunuch in Background Left
Hendrick Goltzius
Engraving, with stippling, in black on off-white laid paper · 1582
Art Institute of Chicago
The Temptation of Saint Anthony
The Temptation of Saint Anthony
Agostino Carracci
Engraving in black on cream laid paper · 1582
Art Institute of Chicago
St Paul Bitten by the Viper, from Acta Apostolorum (The Acts of the Apostles)
St Paul Bitten by the Viper, from Acta Apostolorum (The Acts of the Apostles)
Hendrick Goltzius
Engraving on ivory laid paper · 1582
Art Institute of Chicago
Hans Felbier
Hans Felbier
Hendrick Goltzius
Engraving on paper · 1582
Art Institute of Chicago
Hans Felbier
Hans Felbier
Hendrick Goltzius
Engraving on paper · 1582
Art Institute of Chicago
Saint John the Baptist Preaching
Saint John the Baptist Preaching
Luca Cambiaso
Pen and iron gall ink with brush and brown wash, on cream laid paper, laid down on ivory laid paper · 1582
Art Institute of Chicago
Lot and His Daughters
Lot and His Daughters
Hendrick Goltzius
Engraving on ivory laid paper · 1582
Art Institute of Chicago
New Testament Scene, plate thirteen from Woodcuts from Books of the XVI Century
New Testament Scene, plate thirteen from Woodcuts from Books of the XVI Century
Monogrammist S.G.
Woodcut in black ink with brush and opaque watercolor and stenciling on cream laid paper · 1582
Art Institute of Chicago
The Physician Considered as God, plate one from Allegories of the Medical Profession.
The Physician Considered as God, plate one from Allegories of the Medical Profession.
Hendrick Goltzius
Engraving on paper · 1582
Art Institute of Chicago
The Crucifixion
The Crucifixion
Agostino Carracci
Engraving on ivory laid paper · 1582
Art Institute of Chicago
The Conversion of Saint Paul
The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art
Go to pageof 2