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Artworks

474 records
Deposition
Deposition
Antonio D'Este
Marble · 1795
Art Institute of Chicago
Sampler
Sampler
Brunnell
Medium: wool foundation, silk embroidery, linen edging tape Technique: counted and uncounted stitches; cross, eye, stem and satin stitches on plain weave foundation · 1795
Cooper Hewitt, Smithsonian Design Museum
Monk Selling Ceremonial Tea Whisks
Monk Selling Ceremonial Tea Whisks
Katsushika Hokusai
Ink and light color on paper · 1795
Art Institute of Chicago
On the footbridge
On the footbridge
Katsushika Hokusai
Color woodblock print; ebangire, surimono · 1795
Art Institute of Chicago
Shellfish gathering
Shellfish gathering
Katsushika Hokusai
Color woodblock print; surimono · 1795
Art Institute of Chicago
Boy releasing a kite
Boy releasing a kite
Katsushika Hokusai
Color woodblock print; ebangire, surimono · 1795
Art Institute of Chicago
Boating parties on the Sumida River
Boating parties on the Sumida River
Katsushika Hokusai
Color woodblock print; nagaban, surimono · 1795
Art Institute of Chicago
Viewing votive paintings
Viewing votive paintings
Katsushika Hokusai
Color woodblock print; nagaban, surimono · 1795
Art Institute of Chicago
Boating parties on the Sumida River
Boating parties on the Sumida River
Katsushika Hokusai
Color woodblock print; nagaban, surimono · 1795
Art Institute of Chicago
Mount Fuji with Cherry Trees in Bloom
Mount Fuji with Cherry Trees in Bloom
Katsushika Hokusai
Color woodblock print; surimono · 1795
Art Institute of Chicago
Boats transporting rice on the Sumida River
Boats transporting rice on the Sumida River
Katsushika Hokusai
Color woodblock print; nagaban, surimono · 1795
Art Institute of Chicago
Portrait of a Gentleman
Portrait of a Gentleman
Raphaelle Peale
Watercolor on ivory · 1795
The Metropolitan Museum of Art
Portrait of a Young Man
Portrait of a Young Man
Jean-Baptiste Joseph Wicar, French
Graphite on blue-gray wove paper · 1795
Cooper Hewitt, Smithsonian Design Museum
George Washington (Vaughan-Sinclair portrait)
George Washington (Vaughan-Sinclair portrait)
Gilbert Stuart
oil on canvas · 1795
National Gallery of Art
The Frankland Sisters
The Frankland Sisters
John Hoppner
oil on canvas · 1795
National Gallery of Art
Finding Virginie's Body, plate 5 from Paul et Virginie
Finding Virginie's Body, plate 5 from Paul et Virginie
Charles Melchior Descourtis
Etching and engraving, from four plates, in yellow, blue, red and black, on ivory laid paper · 1795
Art Institute of Chicago
The Fugitive Slave, plate 2 from Paul et Virginie
The Fugitive Slave, plate 2 from Paul et Virginie
Charles Melchior Descourtis
Etching and engraving printed in yellow, blue, red, and black inks on paper · 1795
Art Institute of Chicago
Portrait of Emperor Jahangir
Portrait of Emperor Jahangir
Mughal
Opaque watercolor and gold on paper · 1795
Art Institute of Chicago
Two Plans and Elevations for a Neoclassical Triumphal Arch
Two Plans and Elevations for a Neoclassical Triumphal Arch
Joseph Michael Gandy, English
Graphite, pen and ink, brush and gray wash on wove paper · 1795
Cooper Hewitt, Smithsonian Design Museum
"Mu," page from "Picture Book of the Music of Pines Trees (Ehon matsu no shirabe)"
"Mu," page from "Picture Book of the Music of Pines Trees (Ehon matsu no shirabe)"
Katsukawa Shunshō
Color woodblock print; koban; page from illustrated book · 1795
Art Institute of Chicago
Title Page, from New Suite of Notebooks of Ideal Flowers for Use by Draftsmen and Painters
Title Page, from New Suite of Notebooks of Ideal Flowers for Use by Draftsmen and Painters
Anne Allen
Color etching with à la poupée inking on cream laid paper · 1795
Art Institute of Chicago
Plate, from New Suite of Notebooks of Ideal Flowers for Use by Draftsmen and Painters
Plate, from New Suite of Notebooks of Ideal Flowers for Use by Draftsmen and Painters
Anne Allen
Color etching with à la poupée inking on blue laid paper · 1795
Art Institute of Chicago
Table
Table
Friedrich Gilly
Burl maple, fir or pine, gilt bronze, and marble · 1795
Art Institute of Chicago
Rape of Lucretia
Rape of Lucretia
Giuseppe Cades
Pen and black ink with brush and brown wash, over black chalk, on ivory laid paper · 1795
Art Institute of Chicago
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