Database / Artworks

Artworks

360 records
Sibyl Holding a Tablet with a Winged Putto
Sibyl Holding a Tablet with a Winged Putto
Bartolomeo Coriolano
Chiaroscuro woodcut in green and black on cream laid paper · 1635
Art Institute of Chicago
Study for Saturn Presiding over the City of Bologna, with the Arms of Cardinal Giulio Sacchetti
Study for Saturn Presiding over the City of Bologna, with the Arms of Cardinal Giulio Sacchetti
Giovanni Battista Coriolano
Red chalk, over traces of black chalk, on tan laid paper, laid down on ivory laid card · 1635
Art Institute of Chicago
Soldiers Refeshing Themselves
Soldiers Refeshing Themselves
John Hamilton Mortimer
Pen and black ink and brush and gray wash on tan laid paper · 1635
Art Institute of Chicago
Portrait of a Gentleman
Portrait of a Gentleman
Cornelius Johnson, English
oil on canvas · 1635
Smithsonian American Art Museum
Moyenvic, Lorraine, 1631
Moyenvic, Lorraine, 1631
Nicolas Cochin
Etching on ivory laid paper · 1635
Art Institute of Chicago
Henriette de Lorraine
Henriette de Lorraine
Cornelis Galle, II
Engraving in black on ivory laid paper · 1635
Art Institute of Chicago
Grotto and Friars, from The Ruins of Rome
Grotto and Friars, from The Ruins of Rome
Bartholomeus Breenbergh
Etching in black on ivory laid paper · 1635
Art Institute of Chicago
Figure with Staff Pointing
Figure with Staff Pointing
Salvator Rosa
Woodcut · 1635
Art Institute of Chicago
Seated Artist
Seated Artist
Domenico Gargiulo, called Micco Spadaro, Italian
Pen and ink on paper, lined · 1635
Cooper Hewitt, Smithsonian Design Museum
Sketch of Foliage and Branches
Sketch of Foliage and Branches
Claude Lorrain
Black chalk, white and gray gouache, on tan laid paper, laid down on perimeter to cream wove card · 1635
Art Institute of Chicago
The Herd at the Watering Place
The Herd at the Watering Place
Claude Lorrain
Etching on ivory laid paper · 1635
Art Institute of Chicago
A Rocky Hillside
A Rocky Hillside
Claude Lorrain
Pen and brown ink, brush with brown, pink, and green wash, heightened with white gouache, over traces of red chalk, on cream laid paper · 1635
Art Institute of Chicago
The Herd at the Pond
The Herd at the Pond
Claude Lorrain
Etching on ivory laid paper · 1635
Art Institute of Chicago
Kneeling Man
Kneeling Man
Domenico Gargiulo, called Micco Spadaro, Italian
Black chalk, pen and ink on paper · 1635
Cooper Hewitt, Smithsonian Design Museum
Standing Man with Raised Arms
Standing Man with Raised Arms
Domenico Gargiulo, called Micco Spadaro, Italian
Black chalk, pen and ink on paper · 1635
Cooper Hewitt, Smithsonian Design Museum
Allegory on the Abdication of Emperor Charles v in Brussels
Allegory on the Abdication of Emperor Charles v in Brussels
Frans Francken II
paint on panel, oil paint (paint) · 1635
Rijksmuseum
Woman with a Water
Woman with a Water
Domenico Gargiulo, called Micco Spadaro, Italian
Pen and ink on paper · 1635
Cooper Hewitt, Smithsonian Design Museum
Design for St. Peter Delivered from Prison
Design for St. Peter Delivered from Prison
Abraham Bloemaert, Dutch
Pen and brown ink, brush and brown water color, black chalk on paper · 1635
Cooper Hewitt, Smithsonian Design Museum
Four Tulips:  Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Jacob Marrel
watercolor on vellum · 1635
The Metropolitan Museum of Art
Vues de France et d'Italie (binder's title)
Vues de France et d'Italie (binder's title)
Israel Silvestre
Etching · 1635
The Metropolitan Museum of Art
Bust of an Old Man
Bust of an Old Man
Jan Lievens
Etching on paper · 1635
Art Institute of Chicago
Bust of an Old Man Wearing a Fur Cap
Bust of an Old Man Wearing a Fur Cap
Jan Lievens
Etching on ivory laid paper · 1635
Art Institute of Chicago
The Third Oriental Head
The Third Oriental Head
Jan Lievens
etching · 1635
Cleveland Museum of Art
Figures on a Winding Road
Figures on a Winding Road
Salvator Rosa
Pen and brown ink and brush and gray and brown wash, traces of framing lines in brown ink · 1635
Cleveland Museum of Art
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