Database / Artworks
Artworks
Cliff on a Seashore, from Four Small Landscapes
Hendrick Goltzius
Chiaroscuro woodcut in black, ochre, and green on cream laid paper · 1597
Art Institute of Chicago
Landscape with a Waterfall, from Four Small Landscapes
Hendrick Goltzius
Chiaroscuro woodcut in black, ochre, and green with additions of white gouache on blue ivory laid paper · 1597
Art Institute of Chicago
Ecce Homo, from The Passion
Hendrick Goltzius
Engraving on ivory laid paper · 1597
Art Institute of Chicago
The Crowning with Thorns, from The Passion
Hendrick Goltzius
Engraving on ivory laid paper · 1597
Art Institute of Chicago
Christ before Caiaphas, from The Passion
Hendrick Goltzius
Engraving on ivory laid paper · 1597
Art Institute of Chicago
The Flagellation, from The Passion
Hendrick Goltzius
Engraving on ivory laid paper · 1597
Art Institute of Chicago
Christ on the Mount of Olives, from The Passion
Hendrick Goltzius
Engraving on ivory laid paper · 1597
Art Institute of Chicago
Susanna and the Elders (recto); Profile Head of Woman (verso)
Annibale Carracci
Black chalk (recto), and red chalk (verso), on cream laid paper · 1597
Art Institute of Chicago
Pietà
Annibale Carracci
Pen and brown ink with brush and brown and red wash, heightened with white gouache, on tan ground on laid paper, laid down on cream wove board · 1597
Art Institute of Chicago
Ecce Homo, plate eight from The Passion of Christ
Hendrick Goltzius
Engraving in black on cream laid paper · 1597
Art Institute of Chicago
The Agony in the Garden, plate two from The Passion of Christ
Hendrick Goltzius
Engraving in black on cream laid paper · 1597
Art Institute of Chicago
The Flagellation, plate six from The Passion of Christ
Hendrick Goltzius
Engraving in black on cream laid paper · 1597
Art Institute of Chicago
Christ Before Caiaphas, plate four from The Passion of Christ
Hendrick Goltzius
Engraving in black on cream laid paper · 1597
Art Institute of Chicago
Cliff on a Seashore, from the Four Small Landscapes
Hendrick Goltzius
Woodcut in black, retouched in white opaque watercolor, on blue laid paper · 1597
Art Institute of Chicago
Herodias Receiving the Head of Saint John the Baptist
Peter Paul Rubens
Black chalk, with brush and black ink, and gray and brown wash, heightened with lead white (partly discolored), on tan laid paper, laid down on blue laid paper · 1597
Art Institute of Chicago
Cherubs and Putti
Peter Paul Rubens
Black chalk, with black crayon and red chalk, heightened with traces of white chalk, on pale brown laid paper · 1597
Art Institute of Chicago
Adoration of the Magi
Peter Paul Rubens
Black and red chalk, heightened with touches of white chalk, on tan laid paper (octagon) · 1597
Art Institute of Chicago
Lot and His Family Led Out of Sodom
Peter Paul Rubens
Red chalk, on tan laid paper · 1597
Art Institute of Chicago
Christ of Caprarola
Annibale Carracci
Engraving, with etching and drypoint, on ivory laid paper · 1597
Art Institute of Chicago
Studies of a Seated Nude Male Figure
Giulio Cesare Procaccini
Black chalk on blue paper · 1597
The Metropolitan Museum of Art
The Musicians
Michelangelo
Oil on canvas · 1597
The Metropolitan Museum of Art
Saint John the Baptist, Saint Benedict, King David, and Other Seated Figures
Daniele Crespi
Pen and brown ink, brush and brown wash · 1597
The Metropolitan Museum of Art
Putti with a Mitre, Crosier Mace, Book, and Candle
Daniele Crespi
Pen and brown ink on faded blue paper · 1597
The Metropolitan Museum of Art
Putti with a Small Keyboard Instrument and Music Books
Daniele Crespi
Pen and brown ink · 1597
The Metropolitan Museum of Art